At the Court of the Amîr: A NarrativeGray, John Alfred
History
At the Court of the Amîr: A Narrative
Gray, John Alfred
'Abd al-Rahman Khan, Amir of Afghanistan, -1901; Afghanistan -- History
I perceived then that the boy’s thumb was at the root of the nose
between the eyebrows, and that the hands were horizontal. As we
rode on I noted with considerable interest other salutations in the
market-place. The Mazari peasants salaamed as did the boy. By others,
we were greeted by the dignified bow and the “salaam aleicoum” of the
Afghan. We returned the bow, allowing a polite smile to irradiate our
countenance and answered “W’aleicoum salaam.”
[Sidenote: Prince Amin Ullah.]
Ere reaching our own house we perceived Prince Amin Ullah, aged
three, accompanied by his tutor. Stopping his palanquin the Prince
responded to our bow by touching, in the military fashion, his
astrakhan hat. After politely enquiring each other’s health--we made no
reference to the state of the weather, as is the custom in Occidental
cities--we courteously took leave of one another, saluting in the
same manner as when we met. The young Prince has the privilege of
possessing considerable personal beauty, and, added to that, he is
very precocious--added to that he shows--he exhibits, a discernment
and wisdom far beyond his years. Many are the wise sayings attributed
to this Royal Child (I have forgotten what they were, but they told
me he was very clever) so that he is indeed a true son of his august
Papa--Sire (I should say).
Then we rode in at the porch of our house, and dismounting from our
wearied but sprightly steed, we ascended the steps and sought the
privacy of our own apartments. I think that winds it up all right.
[Illustration]
CHAPTER XVII.
THE AMÎR AS AN ART CRITIC.
The “villain” cook. Mental effect of a cold in the head. Portrait
of the infant Prince: a way out of the difficulty. The Amîr’s
reflection in the window. The Page boy and the Portrait. The Amîr
as an Art Critic. The tea tray. Salaams to the King’s Portrait. The
Amîr’s toilet. The start on a shooting expedition. Page boys as
riders. The mud of Mazar. A make-shift candlestick: the Armenian’s
comments. The sample case of cigars. The Amîr’s handwriting. A
sunset.
The next day I had an awful cold in my head, so that after I had seen
my patients and had visited the Prince I stayed in. I made a sketch
of the Armenian, in which he looked precisely like a Salvation Army
captain. I don’t know why, for he certainly had not that look himself.
Then the Armenian went for a ride. He asked if I wished to go, but I
said no. I did not feel up to encountering the eccentricities of my
steed.
I had taken back into service the cook whom I had discharged for
swindling, and presently he came in. He brought lunch, and I thought I
might as well eat it as not: it was something to do. I hoped he would
not speak to me, for I knew if he did I should pour all the fragments
of languages I had learnt on his head, and then he would say, “Bôt
achcha, Sahib”--“very good, sir.” Then I should have sprung up and
withered him with a look.
Public-domain text, read in full here on John Shaqi.
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