London (England) -- Fiction; Man-woman relationships -- Fiction; Women artists -- Fiction
To this pitch of intimacy had the past three weeks brought them--a long
enough period for an infinite number of things to happen--none the less
real for being subjective. Nothing had changed in their external
lives. Hammerdyke went into society, read a paper here and there on his
travels, digested many bad dinners and worse flattery, played cards,
smoked, and drank with his fellows. Clytie painted assiduously, read,
exchanged visits with her friends. Kent was missing from her life.
She saw him rarely, at odd moments, when they talked commonplaces
and avoided by tacit consent the subject of their disunion. They were
“league-sundered by the silent gulf between.” He told her that he was
thinking of accepting an offer privately made to him by one of the heads
of his department, of leave of absence for three months for the purpose
of studying the numismatic collections of certain foreign capitals. The
prospect was enticing, as he could thus have the run of the continental
libraries, whereby his own great work could be considerably advanced.
Clytie listened kindly, wished him good luck. He went from her sad at
heart, and she was angry with herself and humiliated at feeling somewhat
relieved at the idea of his absence. It was not that she regretted the
old life less. Its memories were still precious. But Kent's departure
would clear the way to a better understanding of herself.
Much had happened during the past three weeks--the discovery of a new
world for Clytie in which all was strange, beset with vague dangers,
vibrating with a tremulous joy akin to terror. She had been lifted off
her feet, hurried against her will into a whirl of new sensations. At
first she resisted with fierce virgin pride; then gradually she began to
close her eyes for a short sweet spell and allow herself to be drifted
by the current; finally she gave up struggling. The history of most
women at their first contact with passion.
The story of this period is very simple. In its first developments love
is usually not ultra complex. Given a man and a woman and conditions
for meeting freely alone; further, a sudden overmastering passion on
the part of the man, a half known, unfulfilled need in the woman; given
these premises, and a child can deduce the result. It is the fundamental
law of sex. Only when the sentimentalities and more delicate affinities
come into play, when the needs of the finer animal man begin to cry
after their satisfying, does love leave its simple phase and gird itself
with its infinite many-coloured web of complexities. At first the mind
may see the web glimmering in a far-away twilight--but heeds it not as
long as the sense is held captive.
Public-domain text, read in full here on John Shaqi.
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