London (England) -- Fiction; Man-woman relationships -- Fiction; Women artists -- Fiction
A little later Thornton put her into a cab, and she drove home. The cold
night air invigorated her relaxed body, but seemed to benumb her mind.
She could not think--only feel Thornton's kisses upon her. The rest of
the subjective and objective universe was a blank. Only when the
cab stopped and the driver asked the number of her house through the
trap-door in the roof, was she conscious of external things. Then she
found that he had driven a long way past the familiar door. As he turned
round grumblingly, she was aware of being chilled through from her drive
across London, and longed to get indoors.
It was not until she told Winifred the next morning that she realised
the great change that had come over her life.
“I am going to marry Mr. Hammerdyke.”
The commonplace statement, thus uttered for the first time, seemed like
a cold decree of fate, inevitable, irresistible. Winifred cried a little
at the thought of losing her.
“But you will be happy, my darling,” she said, smiling through her
tears. “He is so brave and strong and handsome, and he must love you
better than his life.”
“Yes, dear,” said Clytie, gently stroking her friend's brown hair
(Winifred was sitting at her feet) and looking tenderly at her pure,
upturned face. But her own, bent down, was aflame with reminiscence.
“When is it to be? Not for a long, long time, I hope,” said Winifred.
“Almost immediately--he wants it--there is no particular reason for
waiting.”
“I felt it was coming some day,” said Winifred; “but I did not expect it
so soon.”
“It is best,” said Clytie--“best that it should be at once; the interval
between the old life and the new would be too trying if it were drawn
out.”
“You always do what is best, dear,” whispered Winifred in her trustful
way. “Oh! you must be happy, very, very happy, Clytie dear.”
Clytie leaned back in her chair, caressing her friend's cheek with the
back of her hand, and looked around the studio. It came almost as a
shock to her to realise that in a short, short time she would have to
bid farewell to all that had grown up around her artistic life. The
grotesque caricatures on the walls stared at her like meaningless
shadows. Her palette, brushes, and paraphernalia of rags and turpentine
bottles lay strewn about like the properties of a forgotten comedy. The
unfinished pictures on easels and stands lost their fascination.
Only Winifred's little study on the other side of the studio seemed
unchanged--retaining its virginal freshness and purity. But the sound of
a step on the landing outside, buoyant, elastic, dispelled all wistful
regrets. She sprang to her feet as Winifred rose, and listened,
transformed into a radiant woman, with quivering depths in her dark blue
eyes, her red lips parted in a half smile, her chin raised showing the
full neck.
A moment or two afterwards Mrs. Gurkins appeared at the studio door.
“Mr. Hammerdyke, miss. I have shown him into the sitting-room,” she
said, and then retired.
Public-domain text, read in full here on John Shaqi.
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