London (England) -- Fiction; Man-woman relationships -- Fiction; Women artists -- Fiction
During the short period of their engagement Hammerdyke was unceasing
in tokens of his love. It was the nature of the man to throw his whole
being into the delight or danger of the moment. Many a woman who cares
lukewarmly, perhaps reluctantly, is fired with a gratitude akin to love
by unending, passionate devotion. All the more responsive is the woman
of full blood and emotional temperament who already cares greatly.
Thornton gave Clytie no reason to doubt his affection; if anything,
he frightened her by its excess. She yielded to him in all things,
sometimes half dreamily, indifferently, without regret and without
sweetness; sometimes the surrender was infinite joy.
In one matter, however, she was called upon to exercise her will:
Thornton did not care how or where the marriage was performed. A man
loathes weddings, particularly his own. It is only the barbarian that
lingers, as people say, in the heart of woman that demands ceremonies
and pomps and vanities; a man, finer in some things, strangely enough,
sees a certain indelicacy in the brazen publicity of the wedding rites.
True, this view never presented itself to Thornton, who merely wanted to
call Clytie his own and looked upon the formality of the marriage bond
as a necessary nuisance, but it came vividly to Clytie, and caused her,
as she was called upon to decide in the matter, to choose as quiet a
wedding as possible. She shrank with repugnance from the meaningless
ordeal of bridesmaids, favours, and a wedding-breakfast. It was only in
deference to Durdleham susceptibilities that she did not entertain the
idea of a civil marriage before a registrar.
Public-domain text, read in full here on John Shaqi.
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