London (England) -- Fiction; Man-woman relationships -- Fiction; Women artists -- Fiction
The boy, used to these fits of absorption in his two artist patronesses,
sat down for a little and let his eyes wander round the studio,
looking at the pictures and nicknacks. Then he got up to make a closer
examination of vases and photographs, and walked about on tiptoe, trying
to still the noise of his iron-shod boots against the hard, polished
floor. At last he discovered on the bookshelves an illustrated History
of England, with which he retired to his favourite place on the
hearthrug. And so they remained for half an hour without saying
a word--Clytie bending over her study, Jack curled up with his
picture-book. It was quite still. A stray bumble-bee looked in now and
then at the window, buzzing querulously, as if he had lost his way in
London, and then darted off again. From the servants' hall came the just
perceptible voice of one of the maids singing a hymn-tune, and from
far, far away came the tinkling treble of a piano-organ. And these few
sounds, so faint yet so clear, accentuated the summer stillness.
When Clytie had put the last few touches on the portion of her work that
demanded all her concentration, she gave a little sigh of relief.
“What do you think of that, Jack?” she said, leaning back with her
head critically aslant. “Don't you think that is going to make a famous
picture?”
Jack jumped up promptly, leaving his book open on the hearthrug,
and came up to her side. He was not a connoisseur, in spite of his
associations with art, so he said nothing, but grinned appreciatively,
rubbing the calf of one leg with the instep of the other.
“Well,” asked Clytie, “why don't you admire?”
“You aint given them no faces,” said Jack.
“Ah! This is to be one face,” she said, pointing to a kind of _remarque_
at the foot of the sheet. “Or something like it. Now just use your
imagination, Jack. This face is to go there--the woman whose whole
nature has been awakened, and is shining out of her eyes, and quivering
on her lips, and is vibrating all through her frame--all of which is
Greek and Chaldee to you, my good Jack; but I may as well explain. And
now I have got to fix a face for this one. What kind of face do you
think I am going to give her?”
“I dunno,” murmured Jack. And then after a slight pause: “And what's the
man going to be like?”
“Ah!” said Clytie with a mock sigh. “What a little Philistine you are!
The man can be any kind of creature on two legs. What does it matter
about the man? He is a nuisance. I have a good mind to make him awfully
ugly with a face like a rhinoceros. See, like this.”
She made a few rapid strokes with her charcoal in the oval left for the
man's face, and the result was a picturesque monster with a long nose,
Mephistophelian eyebrows, and a moustache curling up to his ears. Then
they both burst out laughing.
“Let me draw some funny men for you,” she said in the light-hearted
buoyancy of her mood. “Run and get me that sheet of paper over there.”
Public-domain text, read in full here on John Shaqi.
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