At the Mercy of TiberiusEvans, Augusta J. (Augusta Jane)
History
At the Mercy of Tiberius
Evans, Augusta J. (Augusta Jane)
Rome -- History -- Tiberius, 14-37 -- Fiction
"Ricardo is a proper name, but I am under the impression that 'Ricordo'
is an Italian word that means simply a remembrance, a souvenir,
sometimes a warning. I am glad, however, to have the clue, and I will
do all I can to discover what connection exists between that word, and
the crime. Can you tell me nothing more?"
"Sometimes she seems to be drawing and painting, and talks to her
father about pictures; and once she said: 'Hush! hush--mother is ill.
She must not know I died, because I promised her I would bear
everything. She made me promise'."
At this moment the keen wail of a young child, summoned the warden's
wife to her own apartment, and Mr. Dunbar sat down in the rocking-chair
beside the iron cot.
In that strange terra incognita, the realm of psychology, are there
hidden laws that defy alike the ravages of cerebral disease, and the
intuitions of the moral nature; inexorable as the atomic affinities,
the molecular attractions that govern crystallization? Is the day
dawning, when the phenomena of hypnotism will be analyzed and
formulated as accurately as the symbols of chemistry, or the
constituents of protoplasm, or the weird chromatics of spectroscopy?
Beryl's head, that hitherto had turned restlessly on its pillow, became
motionless; the closed eyes opened suddenly, fastened upon the
lawyer's; and some inexplicable influence impelled her to stretch out
her hand to him.
"Tiberius, you have come for me."
"I have come to ask if you are better to-day."
Her burning fingers closed tightly over his, and the fever flame lent
an indescribable splendor to eyes that seemed to penetrate his heart.
Bending over her, he gently lifted a shining fold of hair from her
white temple, and still clasping her hand, said in a low voice:
"Beryl, do you know me? Are you better?"
"Wait till I finish the sketch from San Michele. After I am hung, you
will sell it. The light is so lovely."
Up and down, her right hand moved through the air, making imaginary
strokes as on canvas, but her luminous gaze, held by some powerful
fascination, never left his. The gray depths had darkened, swallowed by
the widening pupils that made them almost black; and as Mr. Dunbar
recognized the complete surrender of physical and mental faculties, her
helplessness stirred some unknown sea of tenderness in the man's hard,
practical, realistic nature.
Public-domain text, read in full here on John Shaqi.
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