England -- Social life and customs -- 19th century -- Fiction
"Digby used to come down and see me oftener than he does now," said Sir
Marcus, laying down his pen again and passing his hand across his brow.
"I don't like his being away so long, and the dear little boy too; why
don't they come and see me? Got a wife? Oh, to be sure, yes; my memory
don't seem so strong as it was, somehow: to be sure, a wife, yes. Nice
little thing, very; wonder if she would know how many we get yearly from
Holland? My hand gets more tired than it used, though it wouldn't do to
say so; people are so ready to talk about an old man breaking up before
he's out of the sixties. Why, I walked up from the post-office in eight
minutes and a half this morning; I can beat the youngsters now, eh? I
wish Joan would come and catch hold of this accursed letter, it keeps
drifting so far away. I always wonder what made her take Digby; funny
fellow, Digby. What am I saying? It's Jack who is her husband, isn't it?
I've been writing too much to-day, that's what it is. I'm only a little
queer, but--I wish Joan would come and finish my letter for me. Why
won't Digby bring her down now? Let's get hold of the whiskey; that's
what I want to set me straight, of course. What nonsense they are
talking; men don't fall to pieces when they are sixty-four. I can walk
with the best of them, eh, Joan, my dear?"
There were three people destined for Murville Manor in the 6.45 from
Euston that evening. Two of them were in separate third-class smoking
carriages at the end of the train; the other sat in a first-class
compartment. They were Digby, and Jack, and Lady Joan, all summoned by
the same telegram, and all obeying the summons unknown to each other,
and with the greatest speed possible. The two brothers, singularly
enough, each spent the greater part of the two hours' journey in reading
and re-reading a letter, which was written, in both cases, in a thick,
rather illegible handwriting. The musician, as he took his from the
already opened envelope, gave a half-conscious look round the carriage
before he read it. It dated from the day before, and had no heading to
it:--
"I think on consideration that the new form of diversion you
proposed to me the other night would not work so well as we
thought. So I am not going to entertain it any longer. You will
probably blame me for my vacillation; but then, you should not have
established a precedent for vacillation in the 'Relton Arms,' four
years ago. After all, there is nothing left but the book; and I am
going to be away, and alone, until I have written it. Don't be
alarmed. I am not going to soak it with my own experiences.
"JOAN."
His younger brother, in the other carriage, did not look at any one when
he took his letter from his breast-pocket and unfolded it. It was very
limp, and looked as though it had been unfolded many times before. It
was dated two days earlier:--
Public-domain text, read in full here on John Shaqi.
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