At the Sign of the Cat and RacketBalzac, Honoré de
General
At the Sign of the Cat and Racket
Balzac, Honoré de
France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
“Alas! And is it true,” she wondered, “that a simple and loving heart
is not all-sufficient to an artist; that to balance the weight of these
powerful souls they need a union with feminine souls of a strength equal
to their own? If I had been brought up like this siren, our weapons at
least might have been equal in the hour of struggle.”
“But I am not at home!” The sharp, harsh words, though spoken in an
undertone in the adjoining boudoir, were heard by Augustine, and her
heart beat violently.
“The lady is in there,” replied the maid.
“You are an idiot! Show her in,” replied the Duchess, whose voice was
sweeter, and had assumed the dulcet tones of politeness. She evidently
now meant to be heard.
Augustine shyly entered the room. At the end of the dainty boudoir she
saw the Duchess lounging luxuriously on an ottoman covered with brown
velvet and placed in the centre of a sort of apse outlined by soft folds
of white muslin over a yellow lining. Ornaments of gilt bronze, arranged
with exquisite taste, enhanced this sort of dais, under which the
Duchess reclined like a Greek statue. The dark hue of the velvet gave
relief to every fascinating charm. A subdued light, friendly to her
beauty, fell like a reflection rather than a direct illumination. A few
rare flowers raised their perfumed heads from costly Sevres vases. At
the moment when this picture was presented to Augustine’s astonished
eyes, she was approaching so noiselessly that she caught a glance from
those of the enchantress. This look seemed to say to some one whom
Augustine did not at first perceive, “Stay; you will see a pretty woman,
and make her visit seem less of a bore.”
On seeing Augustine, the Duchess rose and made her sit down by her.
“And to what do I owe the pleasure of this visit, madame?” she said with
a most gracious smile.
“Why all the falseness?” thought Augustine, replying only with a bow.
Her silence was compulsory. The young woman saw before her a superfluous
witness of the scene. This personage was, of all the Colonels in the
army, the youngest, the most fashionable, and the finest man. His face,
full of life and youth, but already expressive, was further enhanced by
a small moustache twirled up into points, and as black as jet, by a full
imperial, by whiskers carefully combed, and a forest of black hair in
some disorder. He was whisking a riding whip with an air of ease and
freedom which suited his self-satisfied expression and the elegance of
his dress; the ribbons attached to his button-hole were carelessly tied,
and he seemed to pride himself much more on his smart appearance than
on his courage. Augustine looked at the Duchesse de Carigliano, and
indicated the Colonel by a sidelong glance. All its mute appeal was
understood.
“Good-bye, then, Monsieur d’Aiglemont, we shall meet in the Bois de
Boulogne.”
Public-domain text, read in full here on John Shaqi.
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