At the Sign of the Cat and RacketBalzac, Honoré de
General
At the Sign of the Cat and Racket
Balzac, Honoré de
France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
Thus poor Augustine found herself thrown back on the horror of her
meditations, in the cold atmosphere of her home. Study was indifferent
to her, since study had not brought her back her husband’s heart.
Initiated into the secret of these souls of fire, but bereft of their
resources, she was compelled to share their sorrows without sharing
their pleasures. She was disgusted with the world, which to her seemed
mean and small as compared with the incidents of passion. In short, her
life was a failure.
One evening an idea flashed upon her that lighted up her dark grief like
a beam from heaven. Such an idea could never have smiled on a heart less
pure, less virtuous than hers. She determined to go to the Duchesse de
Carigliano, not to ask her to give her back her husband’s heart, but to
learn the arts by which it had been captured; to engage the interest of
this haughty fine lady for the mother of her lover’s children; to appeal
to her and make her the instrument of her future happiness, since she
was the cause of her present wretchedness.
So one day Augustine, timid as she was, but armed with supernatural
courage, got into her carriage at two in the afternoon to try for
admittance to the boudoir of the famous coquette, who was never visible
till that hour. Madame de Sommervieux had not yet seen any of the
ancient and magnificent mansions of the Faubourg Saint-Germain. As she
made her way through the stately corridors, the handsome staircases,
the vast drawing-rooms--full of flowers, though it was in the depth of
winter, and decorated with the taste peculiar to women born to opulence
or to the elegant habits of the aristocracy, Augustine felt a terrible
clutch at her heart; she coveted the secrets of an elegance of which
she had never had an idea; she breathed in an air of grandeur which
explained the attraction of the house for her husband. When she reached
the private rooms of the Duchess she was filled with jealousy and a sort
of despair, as she admired the luxurious arrangement of the furniture,
the draperies and the hangings. Here disorder was a grace, here luxury
affected a certain contempt of splendor. The fragrance that floated
in the warm air flattered the sense of smell without offending it.
The accessories of the rooms were in harmony with a view, through
plate-glass windows, of the lawns in a garden planted with evergreen
trees. It was all bewitching, and the art of it was not perceptible. The
whole spirit of the mistress of these rooms pervaded the drawing-room
where Augustine awaited her. She tried to divine her rival’s character
from the aspect of the scattered objects; but there was here something
as impenetrable in the disorder as in the symmetry, and to the
simple-minded young wife all was a sealed letter. All that she could
discern was that, as a woman, the Duchess was a superior person. Then a
painful thought came over her.
Public-domain text, read in full here on John Shaqi.
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