At the Sign of the Fox: A RomanceWright, Mabel Osgood
General
At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
Brooke prepared the dinner, to which was added as a contribution,
received in the spirit in which it was offered, one of Mrs. Banks’ most
juicy whortleberry pies (truly the best of its kind), which the Cub
pronounced to be “just bully,” while in turn the pieman praised Brooke’s
coffee, and, for some reason that he could not have explained, kept his
knife in abeyance, while by his cheerful common sense gained the respect
of his entertainers.
After he had left, taking Brooke’s ready promise to go over the route
with him some spring day to see the woodcock dance and hear the partridge
drum, the cloud that his cheerfulness had lifted again settled over the
girl’s spirits. Why was no gleam vouchsafed to lighten her darkness as
the vision of pies had led these humble people into a sort of promised
land?
When she had washed the dishes and made everything neat, it was still
only half-past two. She could neither sew nor read nor settle herself
to write to Lucy Dean, her usual outlet when cast down; a new sort of
restlessness seized her, that of a wild animal caged, who paces to and
fro to its own exhaustion.
Looking into her father’s room, she saw that he slept, while Tatters,
his hurt paw comfortably stretched out, lay on the rug. Her mother was
writing letters at the old desk; and going out to the barn she found
the Cub, with Pam of course close by, mending some spring traps that
he discovered in an old barrel, and preparing to set them, for mink or
weasel tracks, he could not tell which, had been seen that morning about
the chicken house. He was so absorbed and fascinated with his occupation
that he only grunted answers to his sister’s questions, so she returned
to the house, realizing that the change was doing wonders for the Cub,
which was one consolation.
“What is the matter with me?” she said, half aloud. “Is it an illness
coming on? or can it be the painting fever? The air seems to sparkle and
rush through me like electricity! Oh, why did I not work harder when I
had the time? for now if the desire comes I cannot stop,” and Brooke
wrung her hands, and then laughed hysterically at her tragic action.
Going to her room, she unpacked palette and paint box, and took the maul
stick from the closet, where it had remained all winter tied to some
umbrellas. Of canvas she had none, but hunting up some bits of manila
board from between her books, she took them to the kitchen and spread
them on the table, where she had left the turpentine and oil. What should
she try? The snow and rock bit from the window lacked colour and was too
harsh in outline to be seductive to her mood. A scarlet geranium in a pot
against the dark window frame caught her eye, and seating herself, she
began to draw it in rapidly with chalk—anything, if it would only find
vent for the fever of action that tingled in her finger tips.
Public-domain text, read in full here on John Shaqi.
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