At the Sign of the Fox: A RomanceWright, Mabel Osgood
General
At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
Instead of starting on his return trip at seven the next morning, as
usual, the pieman’s advice was asked by his widowed relative concerning
the buying of a cow, which was to be sold at auction that morning in the
next village. For this one day at least Brooke was in no haste, and as
the auction began at nine o’clock and was two miles distant, the pieman
suggested that she might like to spend the time in the woods that they
had skirted the previous night, and walk along the stream. Then, when she
had gone as far as she chose, all she had to do was to follow the brook
north again without fear of going astray, while by way of a lunch Sairy
Ann gave her half a dozen mellow russet apples, the storing and keeping
of which, in prime condition, well into the summer was a matter of great
pride.
Nothing could have suited Brooke better than these few hours of perfect
liberty,—she was responsible for nothing about her, not even for her
presence there. The widow’s hens were cackling vigorously, and she
laughed as she realized that, whether they broke their eggs or stole
their nests, it was a matter of indifference to her. The revulsion from
the tense responsibility of the past three months flew to her head like
the subtle May wine of the Old World, her heart beat fast, she stretched
her limbs, and then began to thread the woods toward the stream in a
delicious waking dream.
Being guided by sound, she stood looking at the bits of drift that
swirled by, the water drawing her eyes and holding them as a mirror does
those who are near it.
In a few moments she noticed that, while there was a distinctly marked
path among the rocks and stones along her side of the watercourse, the
opposite bank was heavily brushed and almost impenetrable, while the
sunlight came filtering through and danced upon the water in a way that
entranced the artist in her. Choosing a mossy stump, and being thirsty,
for the first thirst of spring is more keen than any that follows, she
seated herself, buried her shoe tips in the deep moss, and taking an
apple from her pocket bit into it deliberately, critically watching the
juice ooze from the wound her teeth had made. As she munched, gazing at
the sunbeams chasing the shadows over the water, she was startled by a
ringing sound, as of metal striking stone. It was repeated several times
before she located its direction, and as she did so, saw that the noise
was made by the shoes of a horse, who was coming downstream, browsing
along the foot-path, in the line of which she was seated.
Public-domain text, read in full here on John Shaqi.
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