At the Sign of the Fox: A RomanceWright, Mabel Osgood
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At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
Recovering his power of motion as quickly as he had lost it, Brownell
darted down the lane toward the barn, and opening the door of the first
outbuilding that he reached, sprang in, closing it quickly behind him
with a heedless bang, in all the guilty trepidation of some peeping Tom
in fear of justice. In reality the being that Brownell most feared at
that moment was himself, as rendered illogical, helpless, and oblivious
of even the carefully planned work of his life, when in close proximity
to Lucy Dean. If she turned and saw him, he knew himself lost, so that
immediate flight was the only hope left.
From the moment he had first met her Brownell had admired her stanch
friendship for Brooke, while her buoyant and frank audacity had soon
fairly swept him off his feet. He had gone to the Dean house many times,
it is true, half because not to do so would have been brutally rude,
half fluttering, moth-in-the-candle fashion and courting a singeing,
until in the close companionship of the six weeks’ journey that had been
proposed, he saw that he would not only be at bay, but completely at the
mercy of that most uncertain of quantities, the motherless daughter of an
influential and wealthy man.
As an institution he had no quarrel with matrimony,—simply it had no
place at present in his somewhat altruistic plan of work. He did not wish
either to love or to marry; to see Lucy had cast him into the former
state, and caused matrimony to fill the entire vista.
What had he to offer—that is, financially? Even with his promotion he
could little more than compete with her father’s _chef_. Of himself he
had but an indifferent opinion, which was unwise, merely his ambitions
were so far ahead of his achievements that he measured his shortcomings
by the discrepancy.
That Lucy delighted to compete with him in a sort of game that Brooke
had called “truth telling” he knew, also that in some way he seemed
to stimulate her wit; but that there was a grain of sentiment in her
practical, and what people thought somewhat hard, nature, he never for a
moment dreamed. Therefore, knowing that if he saw her often the moment
would come when from his own standpoint he must become ridiculous in her
eyes, he had escaped from the overland trip, as he now sought to escape
the sudden and unexpected meeting by flight.
Public-domain text, read in full here on John Shaqi.
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