At the Sign of the Fox: A RomanceWright, Mabel Osgood
General
At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
Poor Cub, with the first perfectly lucid utterance of his father all the
old cringing dread had returned, and his manhood again struggled with the
fear that he had believed dead. This, also, after five months of proving
the stuff of which he was made by bitter, patient toil, until day by day
the warring elements were adjusting, the jangling grew fainter, and at
each hammer touch of experience the metal rang more true. If Adam Lawton
could have realized this, and seen his boy with unbiassed clearness, the
loss of money and life itself would have been nothing to the bitterness
that would have come to him as the results of his arbitrary attitude.
The Cub need not have trembled. Remember whatever Adam Lawton might, a
law of life had been broken and their positions were reversed, the leader
must be led, the dictator of another’s free-born will must be protected,
gently dealt with, guarded from trouble, loved pitywise, but never would
he square his shoulders to the world and give and take. Can worse irony
of fate come to any man who has really lived?
An hour after the electric bolt had riven the plane tree planted as a
landmark by the first West, and by its mystic influence cleared Adam
Lawton’s brain, the warm June moon, a line from full, was slowly pushed
edgewise from between the clouds and rolled slantwise above Moosatuk, a
giant coin of gold, fresh and articulate from the mint.
Lucy Dean and Tom Brownell, coming out-of-doors the instant the storm
abated, walked up and down the cobbled path, all oblivious of the puddles
between the stones or of the dripping trees above. Brownell had meantime
entirely forgotten how he came to be where he was, also his friends below
on the river road, whose motive power he represented for the time being,
or the fact that, as the only resting-place in Gilead for the homeless
was a “Commercial Hotel” of small dimensions and still less visible
cleanliness, it would be necessary for them either to sleep in the
touring car or in Gordon.
As the pair for the twentieth time reached the road end of the path and
turned again into the deep, sweet-smelling shadows of the great box
bushes, a buggy turned the corner from the cross-road and came to a halt
by the side gate. A slender male figure in a light suit and cap, leaping
therefrom, attracted their attention, and Brownell exclaimed, “Great
Cæsar! I’ve forgotten those wretches down below and they’ve come for me!
Now for it! right-about face, Lucy!” at the same time by a dexterous turn
of the arm catching her about the waist; for Lucy, whose chief pride
had always been facing the music, whether necessary or not, had started
to bolt, and exhibited as charming a bit of struggling confusion as the
heart of man could desire.
The moonlight struck the man’s face as he came forward. “It’s only
Charlie Ashton,” she said, freeing herself at once, her head raised to
its defiant poise; “as he doesn’t know that I am here, it is his turn to
be surprised!”
Public-domain text, read in full here on John Shaqi.
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