At the Sign of the Fox: A RomanceWright, Mabel Osgood
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At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
“As for me, as I lingered there, those grapes became as drops of
sacramental wine. I seized my brushes and hastily caught and kept the
vision as I saw it—for to me it was the divine awakening.
“For weeks I dreamed and painted as I never had done before. My comrades
laughed and said, ‘Is it love or genius?’ and old Rossi shrugged his
shoulders and asked, ‘What is the difference?’
“The picture finished, I sent it to the competition, and there your rich
Senator both saw and coveted it. I would not sell it,—no, never! Ah, then
I never thought to; but later my mother sickened, and the price would
more than buy her a good annuity. I thought again, and something said,
‘_She_ would have liked to help your mother, who is old and still plods
on the tulip farm behind the poplars, which she will not leave;’ and I
yielded, and I then resolved to follow you,—across the earth if must
be,—for lacking you, my inspiration fled.
“Through Carolus Ashton, the amateur, well known in the Paris studios, I
learned your whereabouts, and at the same time I chanced upon words of
your swift sorrow in a paper at a fellow-artist’s home.
“‘She has trouble,’ I thought. ‘Surely in some way I can aid her,’ and I
sent the picture of yourself as not too bold a reminder. Your little copy
of my picture coming in return, I said, ‘Now I may go; she did not resent
my painting us together,’ and hope gave me wings.”
“Ashton knew that you were here from the beginning, then, and forwarded
your portrait in the summer, and made no sign! How cruel!”
“Yes, he knew, and also one named Brownell; but do not condemn them, for
there is a silence in such matters that is as honour among men, though
almost strangers; it is as strong as woman’s love. Besides, what good
would it have done?”
“But the name you gave the picture? ‘Eucharistia,’” said Brooke, leaning
forward.
Maarten drew closer, and almost dropping on his knees, looked in her
eyes and took her hands in his, that were hardened by toil and blistered
by fire of leaves, both for her sake, and said, “The word has two
meanings,—‘a sacrament,’ and ‘thanksgiving’; you had become the first to
me, for this I gave the title ‘Eucharistia.’ It has become my name for
you, and—I still give thanks.”
Then, dropping her hands as that other picture in its setting of July
woods again crossed his inner vision, he stood, erect and proud, as one
waiting inevitable sentence, yet glad in the consciousness that he had
told the truth.
For a moment there was silence, and Brooke’s head dropped lower, until it
rested on her hands. At last Maarten regained himself: “And now that all
is told, what is there more for me to do here? What more for me to say?”
Public-domain text, read in full here on John Shaqi.
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