At the Sign of the Fox: A RomanceWright, Mabel Osgood
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At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
“No, I didn’t see _through_ the hat, it’s not my way; I looked _in it_
when you were out of the room, because I wanted to know where it was
bought! A woman can tell a great deal by that! The biped _I_ call a _man_
never buys a department-store hat, for instance, he’d rather wear a
second-hand one first. Well, yours did not come from a department store,
neither was it second-hand; in fact, it was painfully new, address and
all!”
Then Lucy Dean turned on her heel with right-about-face rapidity and
vanished around the corner of the corridor; while Tom Brownell, half
angry, half fascinated, and wholly amazed, went down the marble stairs
two steps at a time, a difficult feat, and one that would have made the
very correct man at the door suspect that the visitor had been summarily
ejected, if it had not been for the expression of Brownell’s face, which,
by the time he reached the bottom stair, wore a decidedly satisfied
smile.
CHAPTER VIII
TRANSITION
When Lucy Dean returned to the den, she found Brooke leaning upon the
desk, her head still pillowed by her arms, and fast asleep. Checking her
first impulse to waken Brooke and discuss the episode of the reporter,
Lucy stood thinking a moment, looked at the clock, then, drawing a sheet
of paper toward her, wrote a few words upon it in vigorous upright
characters, placed it where the sleeper could not fail to see it the
moment her eyes opened, and, after rearranging her furs, that she had
thrown off when she had returned from her walk, vanished from the room.
Her coming and going made a mental movement, for there had been no sound.
Brooke raised her head, and looking about in a dazed way spied the note,
which said, “As everybody and thing seems to be asleep, have gone home to
dine with father; will be back before ten.”
It was a positive relief to Brooke to be quite alone for a few hours,
and it would also give her the chance to see the physicians more
satisfactorily; they were due about six.
Going to her own room, she found her mother had returned to the sick
room, so, slipping on a wrapper and loosening the tension of hair-pains,
she busied herself by laying away in closet and dresser various things
that had lain about since two nights before, which Olga, the maid, under
stress of confusion, had neglected. Taking up her great chinchilla muff
from a chair, she was shaking it in an absent-minded fashion before
putting it in its box, when something slipped from it and fell lightly to
the carpet. Groping in the dim light, she picked up, not her card case,
as she expected, but the silk-covered catalogue of the Parkses’ pictures
and the souvenir menu in its frame of silver filigree. It was only two
days since she had put them in her muff, but it seemed almost as if she
were looking back from another world.
Public-domain text, read in full here on John Shaqi.
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