At the Sign of the Fox: A RomanceWright, Mabel Osgood
General
At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
The catalogue naturally opened to the little reproduction of Marte
Lorenz’ picture. Cutting it carefully from the page, she slipped it into
the silver frame, which chanced to be of the exact size, and setting it
upon the dressing table, turned on the light above. Somehow the sight of
it gave her comfort more than anything else could, and the separation of
circumstances and distance seemed suddenly to have grown less. Whatever
the interpretation of the picture might be, whatever else might tide, she
had entered into and formed a part of the artist’s first serious work,
and even if they never met again, they would be comrades upon the canvas
as long as it lasted. For, in spite of the veiling of both the likenesses
by certain subtle touches, it did not obliterate the characteristics of
the two; and the longer that Brooke gazed upon the picture the stronger
grew her conviction that, under guise of an attractive composition,
it was he and she that Lorenz had painted, that he had bound together
forever by some mystical inspiration.
Still Brooke did not formulate her feelings toward this man who had been
the first one to tell her the truth when an untruth or evasion would
have had a pleasanter sound; such a thing did not occur to her. Lucy
Dean would have dragged her emotion into the electric light, diagnosed,
and duly labelled it at once. Neither did Brooke kiss the portrait nor
put it under her pillow, nor hide it away in her orris-scented drawer
for sentiment’s sake or to feed mystery, as many a girl would have done;
but as the light glared upon the glass she turned it out, and lighting
a small green candle of bayberry wax, that stood upon her desk, placed
it near the frame so that its rays fell obliquely in accord with the
picture’s scheme of light, while the pungent fragrance of the wax wafted
like incense at a shrine.
As she stood thus, the outer door closed, a squeaky tread awkwardly
muffled came along the hallway, and stopping outside her door made her
turn hastily. Without further ado the door opened, and a pair of lean,
sloping shoulders and a freckled face topped by a mop of sandy hair
parted the curtain, while two dull, greenish hazel eyes, very round and
wide open, explored the room to the very corners with an expression of
apprehension. Evidently being satisfied with the result, the rest of the
six feet of overgrown boy followed the head, swinging a suit case before
him with one hand, while he closed the door behind him with the other.
Brooke was almost startled into calling out aloud, but the figure clapped
his hand to her mouth, and her voice dropped to a whispered “Oh, Cub,
Cub, where did you come from? How did you hear?”
Public-domain text, read in full here on John Shaqi.
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