At the Sign of the Fox: A RomanceWright, Mabel Osgood
General
At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
“My child,” said the doctor, stopping in the middle of the cow-house,
which they chanced to be investigating at the moment, and leaning
against a stall, while the gentle occupant pulled at his coat with
her inquisitive tongue, “there is another way in which we all make
grave mistakes. God forbid that I should advocate the shirking or
casting of responsibility upon others, but there is another extreme
that we are falling into in this twentieth century—an eye-for-an-eye,
tooth-for-a-tooth breed of independence, while the brotherhood that
should blend and sweeten all our daily actions is treated as a vocation,
a thing set apart, and labelled ‘Charity’ or ‘Social Service.’ It seems
to me that the Christian law of silent burden-bearing is far finer and
more subtle than this, in that it leaves no obligation in its wake.
“If Robert Stead, the man cursed with lack of motive, finds a fragment
of impulse in the stimulation of awakening his buried knowledge and in
contact with your brother, when your brother needs this knowledge, where
lies the obligation? No, the scales are evenly balanced; accept the
result, and do not draw a breath to jar the adjustment. Moreover, do not
judge Stead by the usual social standards, but bear with him. Perhaps
at times he may even seem discourteous, for what he thinks he suffered
by one woman, and a most remarkable one she was too, has made him curt
with all; for his great failing is that he can never judge except by the
personal measure, and unconsciously he has made a cult of selfishness.”
“I understand, oh, now I understand; how can I ever thank you for showing
me the way? Do you know, Dr. Russell,” Brooke said, clasping her hands
on his arm, “it seems to me I never began really to live until the day
that trouble came to us;”—while as Brooke spoke, the silent hour in the
Parkses’ gallery, and Marte Lorenz’ picture, stretched themselves as the
inseparable background to all that had followed, and deepened the colour
in her cheeks, that were already glowing with the keen air.
* * * * *
When Brooke and the Doctor finished their tour, and were returning to the
house, Tatters still following solemnly, Bisbee’s double-runner sled with
the baggage was seen coming from the lower road, while Stead’s cutter
turned into the yard from the hill way. The Cub being in a very happy
frame of mind as the result of his morning’s trip.
Public-domain text, read in full here on John Shaqi.
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