At the Sign of the Fox: A RomanceWright, Mabel Osgood
General
At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
When the rockaway, driven by Larsen, at last came to the door with the
Cub as honorary footman to see Miss Keith off and make sure that none of
her twelve pieces of wonderfully assorted baggage went astray, she broke
down completely, yet did not seem comforted or pleased with Brooke’s
invitation to return if she changed her mind about matrimony, the final
sniff that followed the sincere and cordial offer being more of scorn
than of grief.
Mrs. Lawton was now fast shaking off the state of being in a waking
dream, in which she lived since the night of the calamity; and, once Miss
Keith had gone, both mother and daughter began to taste the quiet joys
of a companionship that the forced separation of the last few years of
conventional city life had not only left undeveloped but unknown.
Their intercourse was none the less sustaining because the things that
they discussed were the bread-and-butter affairs of every day—whether
the invalid should have chicken or mutton broth, and as to whether it
was possible to make many of the dishes they desired with only half the
ingredients the cook-book demanded, Mrs. Lawton’s experience of long ago
and Brooke’s common sense deciding in the affirmative.
In fact, the young mistress had not been working side by side with Mrs.
Peck (who came to “accommodate” and instruct the day after Miss Keith
left) a week before she was sure of what she had always suspected, that
fully three-quarters of modern recipes for cooking are merely competitive
struggles to see how much good material can be crammed into something
totally unsuitable for the human stomach.
Gradually, as the first week drew to a close, it happened that, after
the Cub and Brooke had helped establish their father in his wheel-chair
for the day, Mrs. Lawton went to and fro about the lower floor, dusting,
adjusting, wiping dishes, watering the plants, and doing the thousand
and one little things that make a woman a part of her home. Then later
in the day she would wheel Adam Lawton into the kitchen perhaps, and,
taking out her work-basket, do some of the sewing that was imperative to
make the garments of the past even possible for present use. As to Adam
Lawton himself, he was more alert and did not seem to doze as constantly
as before, while his eyes wandered from object to object with a changeful
expression unlike the apathy of his first conscious period.
Before the seven days were completely rounded, three things had happened.
Brooke heard her mother hum a snatch of the ballad “Jock o’Hazeldean,”
as she snipped withered leaves from the plants in the kitchen window;
she saw her father stroke Tatters’ head and finger his ears with his
well hand; and Robert Stead, who now left their mail as he returned with
his own from the village every morning, brought her, together with some
belated foreign New Year’s cards, a flat, square package, spattered with
foreign postmarks, addressed in an unknown hand, in care of Charlie
Ashton, and evidently remailed by him.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account