At the Sign of the Fox: A RomanceWright, Mabel Osgood
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At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
Lucy clung to Mrs. Lawton as she always had, with a wealth of the
untutored daughterly affection that had missed its own outlet motherward,
so Brooke left the two alone together for a few moments in the library
while she went in to see how her father was faring. Tatters, as usual,
was by his chair, not lying down but sitting erect and close. Adam
Lawton was looking intently at a picture paper that Stead had brought
which was propped on the rack before him. Seeing that her father had
not yet noticed her, Brooke stood quite still, watching the pair. Once
in a while the left hand would pat the dog’s head, that was constantly
turned toward him, but Tatters’ attention seemed fixed upon the useless
hand that rested, a dead weight, upon the knee. Nosing it gently, as
a mother dog does her sleeping pups to make sure that they are alive,
Tatters moved it perhaps an inch, his eyes open wide and ears moving
questioningly.
Meeting with no response, no sign of life, his dog mind evidently argued
that the poor human paw was ill, and bringing the universal medicine of
his race in play, he began to lick the hand with slow regular strokes
of his strong, clean tongue, first going over the entire surface, then
separating each finger with a clinging circular motion.
Amazement seized Brooke as the thought came to her that, after all, had
not nature antedated man in this, as in many things, and endowed the
tongues of the dumb beasts with the vital principles of massage? Did the
dog know, with that wisdom that only the confessed materialist is willing
to call mere instinct, the impotence of that right hand; and why might
there not be healing in his imparted vitality? Why might not the natural
magnetism be as good as the electricity from the little machine that her
mother gave her father each day?
As she thought all this, she again heard that hoarse whisper. Straining
every nerve, she listened; the sound came once more—a single word,
“Tatters,” repeated again and again, and lingered over as if it were a
magic clew to the loosening of a tangled skein of memory.
Stepping quickly to his side, Brooke said, slowly and distinctly,
“Father, Lucy Dean is here, with mother in the library. Lucy Dean—would
you like to see her?” Ever since his return to Gilead, Brooke had made
a point of calling Adam Lawton “father” very distinctly whenever she
entered the room in his waking hours, to accustom him to the sound, also
to speak of the ordinary unemotional affairs of every day as a matter of
course, regardless of the fact that he did not heed.
As she repeated the words “Lucy Dean” he shook his head slightly, but
the word “mother” he repeated quite distinctly several times, smiling
as he did so; and then Brooke knew for a certainty that, though motive
power and sense of touch and taste and smell were coming back, memory
had halted, and that it was the Tatters and mother of his youth that he
associated with the words.
Public-domain text, read in full here on John Shaqi.
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