At the Sign of the Fox: A RomanceWright, Mabel Osgood
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At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
“By the way, Brooke,” said Lucy, after they had travelled the old paths
once more in company, “what did you do with those two thin keys that Tom
Brownell picked up from under the rug the day I escorted him from your
apartment at the St. Hilaire? I gave them to you afterward. Don’t say
that you have lost them!” and, as Brooke hesitated, Lucy sat up straight
with a look of alarm.
“Oh, no, they are quite safe in a box in my drawer, though they are
nothing to bother about, for they do not belong to anything of ours, and
both your father and our lawyer said that they fitted no business desk or
box of father’s.”
“That may be,” said Lucy, guilelessly, “but Tom Brownell asked me
particularly if I would beg you to lend them to him. You see he has
a sort of genius for fitting odd numbers together, and finding those
ownerless keys as he did, they seem to have fascinated him strangely.”
“Tom Brownell,” mused Brooke; then, becoming in her turn suddenly all on
the alert, she continued: “Why, he was that reporter who contradicted the
story of father’s feigned illness in the _Daily Forum_, was he not? And
pray, where did you stumble over him again?”
“I haven’t stumbled over him—that is, I mean not to any great extent.
I wish I had, for he’s a most refreshing person,” answered Lucy, at
first surprised into confused utterance and next growing defiant and
continuing recklessly: “Didn’t you recognize him as the college friend
of Charlie Ashton? Oh, I thought you did! Well, he is, anyway, though he
wouldn’t go to Charlie’s red New Year’s tea, even when I begged him; and
he doesn’t go to dances or play bridge, for he’s on the jump most of the
time with his newspaper work. He’s been to the house a couple of times,
with Charlie, of course, and father being at home and unshakable, we four
have sat down to a solemn game of genuine whist; and you know yourself
that to sit opposite to a youngish man for two whole evenings under such
circumstances and not hate him is a proof of remarkable character, and as
I can’t be accused of anything of that kind, it lies with him, you see.”
“Did he ask for the keys that night?” said Brooke, with overtransparent
innocence, which, however, passed unnoticed.
“No, quite another time, when, having observed my intense interest in
cards, he dropped in between assignments (while he was waiting for it to
be time to take the speeches at an important corporation dinner, I think)
and offered to teach me solitaire; but that was yet more melancholy than
the whist, for as he had to look over my shoulder, I couldn’t even gaze
at him, so we drifted to casino, which allowed both sight and speech!
Public-domain text, read in full here on John Shaqi.
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