Uncle Israel's midnight excursion to the orchard had given him a fresh
attack of a familiar and distressing ailment to which he always alluded as
"the brown kittys." Fortunately, however, the cure for asthma and
bronchitis was contained in the same quart bottle, and needed only to be
heated in order to work upon both diseases simultaneously.
Elaine rolled up the sleeves of her white shirt-waist, and turned in her
collar, thereby producing an effect which Dick privately considered
distractingly pretty. Dorothy was enveloped from head to foot in a
voluminous blue gingham apron, and a dust cap, airily poised upon her
smooth brown hair, completed a most becoming costume. Dick, having duly
obtained permission, took off his coat and put on his hat, after which the
library force was ready for action.
"First," said Dorothy, "we'll take down all the books." It sounded simple,
but it took a good share of the day to do it, and the clouds of dust
disturbed by the process produced sneezes which put Uncle Israel's feeble
efforts to shame. When dusting the shelves, after they were empty, Elaine
came upon a panel in the wall which slid back.
"Here's a secret drawer!" she cried, in wild delight. "How perfectly
lovely! Do you suppose there's anything in it?"
Dorothy instantly thought of money and diamonds, but the concealed
treasure proved to be merely a book. It was a respectable volume, however,
at least as far as size was concerned, for Elaine and Dorothy together
could scarcely lift it.
It was a leather-bound ledger, of the most ponderous kind, and was
fastened with a lock and key. The key, of course, was missing, but Dick
soon pried open the fastening.
All but the last few pages in the book were covered with fine writing, in
ink which was brown and faded, but still legible. It was Uncle Ebeneezer's
penmanship throughout, except for a few entries at the beginning, in a
fine, flowing feminine hand, which Dorothy instantly knew was Aunt
Rebecca's.
"On the night of our wedding," the book began, "we begin this record of
our lives, for until to-day we have not truly lived." This was signed by
both. Then, in the woman's hand, was written a description of her
wedding-gown, which was a simple white muslin, made by herself. Her
ornaments were set down briefly--only a wreath of roses in her hair, a
string of coral beads, and the diamond brooch which was at that moment in
Dorothy's jewel-box.
For three weeks there were alternate entries, then suddenly, without date,
were two words so badly written as to be scarcely readable: "She died."
For days thereafter was only this: "I cannot write." These simple words
were the key to a world of pain, for the pages were blistered with a man's
hot tears.
Then came this: "She would want me to go on writing it, so I will, though
I have no heart for it."
Public-domain text, read in full here on John Shaqi.
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