At the Villa RoseMason, A. E. W. (Alfred Edward Woodley)
General
At the Villa Rose
Mason, A. E. W. (Alfred Edward Woodley)
Detective and mystery stories; Fiction
And she tied the girl's thumbs and little fingers. To slacken the knots
she must have the use of her fingers, even though her gloves made them
fumble. Now she had lost the use of them altogether. She began to feel
that she was in master-hands. She was sure of it the next instant. For
Adele stood up, and, passing a cord round the upper part of her arms,
drew her elbows back. To bring any strength to help her in wriggling
her hands free she must be able to raise her elbows. With them trussed
in the small of her back she was robbed entirely of her strength. And
all the time her strange uneasiness grew. She made a movement of
revolt, and at once the cord was loosened.
"Mlle. Celie objects to my tests," said Adele, with a laugh, to Mme.
Dauvray. "And I do not wonder."
Celia saw upon the old woman's foolish and excited face a look of
veritable consternation.
"Are you afraid, Celie?" she asked.
There was anger, there was menace in the voice, but above all these
there was fear--fear that her illusions were to tumble about her. Celia
heard that note and was quelled by it. This folly of belief, these
seances, were the one touch of colour in Mme. Dauvray's life. And it
was just that instinctive need of colour which had made her so easy to
delude. How strong the need is, how seductive the proposal to supply
it, Celia knew well. She knew it from the experience of her life when
the Great Fortinbras was at the climax of his fortunes. She had
travelled much amongst monotonous, drab towns without character or
amusements. She had kept her eyes open. She had seen that it was from
the denizens of the dull streets in these towns that the quack
religions won their recruits. Mme. Dauvray's life had been a
featureless sort of affair until these experiments had come to colour
it. Madame Dauvray must at any rate preserve the memory of that colour.
"No," she said boldly; "I am not afraid," and after that she moved no
more.
Her elbows were drawn firmly back and tightly bound. She was sure she
could not free them. She glanced in despair at Helene Vauquier, and
then some glimmer of hope sprang up. For Helene Vauquier gave her a
look, a smile of reassurance. It was as if she said, "I will come to
your help." Then, to make security still more sure, Adele turned the
girl about as unceremoniously as if she had been a doll, and, passing a
cord at the back of her arms, drew both ends round in front and knotted
them at her waist.
"Now, Celie," said Adele, with a vibration in her voice which Celia had
not remarked before.
Public-domain text, read in full here on John Shaqi.
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