[179] Pausanias, lib. i., c. 27, speaks of a wooden statue in the Temple of Pohas, in Athens, said to have been the gift of Cecrops; and, with far more claim to belief, in the previous chapter he tells us that the most holy of all the images was a statue of Minerva, which, by the common consent of all the towns before incorporated in one city, was dedicated in the citadel, or polis. Tradition, therefore, carried the date of this statue beyond the time of Theseus. Plutarch also informs us that Theseus himself, when he ordained divine honours to be paid to Ariadne, ordered two little statues to be made of her--one of silver and one of brass. [180] All that Homer calls the work of Vulcan, such as the dogs in the palace of Alcinous, etc., we may suppose to be the work of foreigners. A poet could scarcely attribute to the gods a work that his audience knew an artificer in their own city had made! [181] See Odyssey, book vii. [182] The effect of the arts, habits, and manners of a foreign country is immeasurably more important upon us if we visit that country, than if we merely receive visits from its natives. For example, the number of French emigrants who crowded our shores at the time of the French revolution very slightly influenced English customs, etc. But the effect of the French upon us when, after the peace, our own countrymen flocked to France, was immense. [183] Herod., lib. ii., c. 178. [184] Grecian architecture seems to have been more free from obligation to any technical secrets of Egyptian art than Grecian statuary or painting. For, in the first place, it is more than doubtful whether the Doric order was not invented in European Greece long prior to the reign of Psammetichus [The earliest known temple at Corinth is supposed by Col. Leake to bear date B. C. 800, about one hundred and thirty years before the reign of Psammetichus in Egypt.]; and, in the second place, it is evident that the first hints and rudiments both of the Doric and the Ionic order were borrowed, not from buildings of the massive and perennial materials of Egyptian architecture, but from wooden edifices; growing into perfection as stone and marble were introduced, and the greater difficulty and expense of the workmanship insensibly imposed severer thought and more elaborate rules upon the architect. But I cannot agree with Mueller and others, that because the first hints of the Doric order were taken from wooden buildings, therefore the first invention was necessarily with the Dorians, since many of the Asiatic cities were built chiefly of wood. It seems to me most probable that Asia gave the first notions of these beautiful forms, and that the Greeks carried them to perfection before the Asiatics, not only from their keen perception of the graceful, but because they earlier made a general use of stone. We learn from Herodotus that the gorgeous Sardis was built chiefly of wood, at a time when the marble of Paros was a common material of the