Atlantic Narratives: Modern Short StoriesNesbit, E. (Edith)
General
Atlantic Narratives: Modern Short Stories
Nesbit, E. (Edith)
Short stories
'Say'--he suddenly became voluble,--'you said you wanted to get to
Hamden. Well, if you'll make it five plunks, and give me your ticket,
you can take this horse, an' I'll go round by train. Say--do you want
to?'
Cargan was tempted. All you had to do was to stick on.
'What'll I do with my suit-case?'
'Gimme it to take for you. I guess it ain't worth more'n my horse.'
II
They helped him on, and pointed out the dim line of telephone poles
which marked a road a mile beyond. He walked his horse onward, not
daring to trot, struck the dusty highway, rode on over an imperceptible
roll of the plains, and was alone on a vast bare earth, naked as when
born from the womb of time.
Plover swung up before him with melancholy cries. A soft haze rose from
the plains. They grew more vast, more endless. In the north, a white
cloud-mass piled itself up and up until it seemed as if it might topple
over upon the flat world beneath. He had never before looked at the
country except as real estate, never seen the plains, and a curious new
sense of the bigness of the earth oppressed him. He felt very small and
very mean. The humiliation of his spirits was a novel feeling and an
unpleasant one; he tried to hum it away:--
'Just wait till I strike Broadway
And watch me with the girls,
For I'm the man that invented it--
The hair that always curls.'
His harsh voice in the stillness was ridiculous,--even to him,--but when
he stopped singing, the silence flowed over him as a stream that had
been held back. The sky was enormous; he was only a speck on the vast
floor. As he plodded on and on and on through the dust, he began to grow
dizzy from the glare and the heat. He could not collect his thoughts for
business. A curious sense of weakened identity perplexed him, and his
head was full of drifting pictures--Waldron's face among them. That face
lingered. He saw him looking vaguely out of the car window--saying that
he couldn't stand up under it--that it was 'impossible.' He wondered if
it was a bluff, after all. The face faded away leaving a dull pity
behind it, a struggling remorse. Cargan shifted uneasily in his saddle,
and tried to think of business. But instead of business queer childish
ideas began floating in and out of his mind, accompanied by words
remembered from Sundays in his boyhood. He was alone with God. God saw
into his heart. A little nervous shiver ran over him, and when he
checked it with a laugh there followed a wave of superstitious emotion.
A low wave of the prairies had hidden from him a little house and barn
standing crudely new against the sky in the distance. Tiny figures were
moving behind the buildings, and a dust-cloud rose from the highway in
front. Cargan suddenly became conscious of his appearance--his serge
suit, his straw hat, his awkward seat in the saddle. The loneliness of
the plains had shaken his usual self-assurance.
Public-domain text, read in full here on John Shaqi.
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