Atlantic Narratives: Modern Short StoriesNesbit, E. (Edith)
General
Atlantic Narratives: Modern Short Stories
Nesbit, E. (Edith)
Short stories
This is not going to be an easy story to write. Its theme is precisely
that which I have chosen for my title; and naturally its positive
significance is not obvious. But I must somehow get the thing into
words. The spiritual value which I found in the experience may come home
to some reader. At any rate, it is good for us all to stop now and then
and challenge the conventional standards of our lives.
To begin with, I presume that there are few sympathetic students of
humanity who will not agree with me that the strain of mysticism which
sometimes appears in the New England character is one of the most
interesting and touching of all the manifestations of our human nature.
It is so unexpected! The delicate pearl in the rough oyster is not more
apparently incongruous, rarer, or more priceless. Nay, it is more than
that. The development is so impossible as to be always a miracle,
freshly wrought by the finger of God.
There are all sorts of elements in it which do not appear in other kinds
of mysticism: humor (that unfailing New England salt!), reserve, and a
paradoxical mixture of independence and deference. It knows how
inexplicable it must seem to its environment, how it must fret its
oyster; so it effaces itself as much as possible. But it yields not one
jot of its integrity. It holds a hidden, solitary place apart--like a
rare orchid in the woods, like a hermit thrush. Even to those who love
it, it will not lightly or often reveal itself. But when it does--well,
I would take a weary, barefoot pilgrimage for the sake of the
experience which I had last summer. And here I may as well begin my
narrative.
I
I sat behind her in the little country church; and when I had studied
her profile for a few moments, I was glad of a chance to rise and sing
the Doxology. She was a woman of fifty-odd, a typical Vermonter, with
the angular frame and features peculiar to her class. Her mouth was
large, her cheek-bones high; her thin, dark hair, streaked with gray,
was drawn smoothly down behind her ears. But her expression!--that gave
her away. Not flagrantly, of course. To discover her one had to be
temperamentally on the watch for her. Apparently, like all the rest of
us, she was looking at the flowers before the pulpit; but I was sure
that her wide blue eyes were really intent on something behind and
beyond. Her mouth brooded, her forehead dreamed, her whole face pondered
grave and delectable matters. I am afraid that I did not hear much of
the sermon that morning.
Public-domain text, read in full here on John Shaqi.
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