Atlantic Narratives: Modern Short StoriesNesbit, E. (Edith)
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Atlantic Narratives: Modern Short Stories
Nesbit, E. (Edith)
Short stories
Noakes leaned over a stand in one of the Maxineff laboratories and
looked intently into a crucible, while he advanced the lever of a
control-switch regulating the furnace beneath it. He held a steady hand
on the lever, so that he might push it back instantly if he saw in the
crucible too sudden a transformation. As he watched, the dull saffron
powder took on a deeper hue about the edge, the body of it remaining
unchanged. For several minutes he peered with keen intentness at the
evil, inert little mass. No further change appeared. He leaned closer
over it, regardless of the thin choking haze that spread about his face.
In his attitude there was a rigidity of controlled excitement out of
keeping with the seeming harmlessness of the experiment. He was as a man
attuned to a tremendous hazard, anticipation and mental endurance taut,
all his force focused on one throbbing desire. He bent closer, and the
hand on the lever trembled in nervous premonition. The deepened hue
touched only the edge, following regularly the contour of the vessel; it
made no advance toward the centre of the substance.
'It shall!' Noakes breathed; and as if conning an oft-repeated formula,
he said, 'The entire mass should deepen in color, regularly and evenly.
Heat! Heat!'
His glance shifted to the control-switch under his hand. Its metal
knobs, marking the degrees of intensity of the current it controlled,
caught the light and blinked like so many small, baleful eyes.
Particularly one, that which would be capped next in the orbit of the
lever, held him fascinated; the winking potentiality of it thralled
him, as the troubled crystal devours the gaze of the Hindu magi.
He jerked back his head decisively; he would increase the current. The
thought burned before him like a live thing; and in the light of it he
saw many pictures--heliographs of happenings in and about the
laboratories: flame, smoke dense and turgid, splintered wood, metal
hurtling through air, bleeding hands, lacerated breasts, sightless eyes.
'That's the trouble with high explosives,' he half groaned.
He turned away from the stand and went to the single window that lit the
room. Through it he saw shops, store-houses, and small buildings similar
to his own, all a part of the plant of Maxineff. He thought of each
small laboratory as a potential inferno, each experimenter a bondman to
ecstasy, the whole frenzied, gasping scheme a furtherance of the fame
and power of Henry Maxineff, already world-known, inventor of the
deadliest high explosives. One of the buildings had been turned into a
temporary hospital. He thought of the pitiful occupant--his face
scarred, one socket eyeless--and shivered.
'It isn't that I want to hedge,' he said. 'I shall take the chance; but
having risked everything, I will go to her able and whole, offering it
all without an apology.'
Public-domain text, read in full here on John Shaqi.
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