Atlantic Narratives: Modern Short StoriesNesbit, E. (Edith)
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Atlantic Narratives: Modern Short Stories
Nesbit, E. (Edith)
Short stories
The child wearied by the spectacle of a plump divine, in black gown and
Geneva bands, thumping the pulpit-cushions in the madness of
incomprehensible oratory, surrendered his ears to the noise of
intonations which, in his own treble, would have earned the reprimand,
'Naughty temper.' His eyes, however, were, through some oversight of the
gods of his universe, still his own. They found their own pasture: not,
to be sure, the argent and sable of gown and bands, still less the gules
of flushed denunciatory gills.
There is fair pasture in an old church which, when Norman work was
broken down, men loved and built again as from the heart, with pillars
and arches, which, to their rude time, symbolized all that the heart
desires to materialize, in symbolic stone. The fretted tombs where the
effigies of warrior and priest lay life-like in dead marble, the
fretted canopies that brooded above their rest. Tall pillars like the
trunks of the pine woods that smelt so sweet, the marvel of the timbered
roof--turned upside down it would be like a ship. And what could be
easier than to turn it upside down? Imagination shrank bashfully from
the pulpit already tightly tenanted, but the triforium was plainly and
beautifully empty; there one could walk, squeezing happily through the
deep thin arches and treading carefully by the unguarded narrow ledge.
Only if one played too long in the roof aunts nudged, and urgent
whispers insisted that one must not look about like that in church. When
this moment came it came always as a crisis foreseen, half dreaded, half
longed-for. After that the child kept his eyes lowered, and looked only
at the faded red hassocks from which the straw bulged, and in brief,
guarded, intimate moments, at the other child.
The other child was kneeling, always, whether the congregation knelt or
stood or sat. Its hands were clasped. Its face was raised, but its back
bowed under a weight--the weight of the font, for the other child was of
marble and knelt always in the church, Sundays and week-days. There had
been once three marble figures holding up the shallow basin, but two had
crumbled or been broken away, and now it seemed that the whole weight of
the superimposed marble rested on those slender shoulders.
The child who was not marble was sorry for the other. He must be very
tired.
The child who was not marble,--his name was Ernest,--that child of weary
eyes and bored brain, pitied the marble boy while he envied him.
'I suppose he doesn't really feel, if he's stone,' he said. 'That's what
they mean by the stony-hearted tyrant. But if he does feel-- How jolly it
would be if he could come out and sit in my pew, or if I could creep
under the font beside him. If he would move a little there would be
just room for me.'
Public-domain text, read in full here on John Shaqi.
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