Atlantic Narratives: Modern Short StoriesNesbit, E. (Edith)
General
Atlantic Narratives: Modern Short Stories
Nesbit, E. (Edith)
Short stories
And he pictured the rapture of that moment when the marble child should
respond to this appeal, creep out from under the font, and come and sit
beside him on the red cushions beyond the red curtains. The aunts would
not see, of course. They never saw the things that mattered. No one
would see except Ernest. He looked hard at the marble child.
'You must come out,' he said; and again, 'You must come, you must.'
And the marble child did come. It crept out and came to sit by him,
holding his hand. It was a cold hand certainly, but it did not feel like
marble.
And the next thing he knew, an aunt was shaking him and whispering with
fierceness tempered by reverence for the sacred edifice,--
'Wake up, Ernest. How can you be so naughty?'
And the marble child was back in its place under the font.
When Ernest looks back on that summer it seems to have thundered every
time he went to church. But of course this cannot really have been the
case.
But it was certainly a very lowering purple-skied day which saw him
stealthily start on the adventure of his little life. He was weary of
aunts--they were kind yet just; they told him so and he believed them.
But their justice was exactly like other people's nagging, and their
kindness he did not want at all. He wanted some one to play with.
'May we walk up to the churchyard?' was a request at first received
graciously as showing a serious spirit. But its reiteration was
considered morbid, and his walks took the more dusty direction of the
County Asylum.
His longing for the only child he knew, the marble child, exacerbated by
denial, drove him to rebellion. He would run away. He would live with
the marble child in the big church porch; they would eat berries from
the wood near by, just as children did in books, and hide there when
people came to church.
So he watched his opportunity and went quietly out through the French
window, skirted the side of the house where all the windows were blank
because of the old window-tax, took the narrow strip of lawn at a
breathless run, and found safe cover among the rhododendrons.
The church-door was locked, of course, but he knew where there was a
broken pane in the vestry window, and his eye had marked the lop-sided
tombstone underneath it. By climbing upon that and getting a knee in the
carved water-spout-- He did it, got his hand through, turned the catch of
the window, and fell through upon the dusty table of the vestry.
The door was ajar and he passed into the empty church. It seemed very
large and gray now that he had it to himself. His feet made a loud
echoing noise that was disconcerting. He had meant to call out, 'Here I
am!' But in the face of these echoes he could not.
He found the marble child, its head bent more than ever, its hands
reaching out quite beyond the edge of the font; and when he was quite
close he whispered,--
'Here I am.--Come and play!'
Public-domain text, read in full here on John Shaqi.
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