Atlantic Narratives: Modern Short StoriesNesbit, E. (Edith)
General
Atlantic Narratives: Modern Short Stories
Nesbit, E. (Edith)
Short stories
Rachel merely shook her head slowly as she tried to connect, in an
impersonal sort of way, the notion of tragedy with John--John the
successful, the obstinate, the simple in desire, the objective. There
had been no real disappointment in all his life. She looked back
half-indignantly at David, rejecting the suggestion.
David rose and took a turn up and down the parlor again, pausing in the
shadows at the farther end of the room. Then he came back to his seat
and faced her determinedly.
'What _I_ had always hoped was that you would come to understand John
without any outside interference. I came back over and over to see, but
I always kept from butting in.' He paused again. 'I wouldn't say
anything now, only your tone, your "Poor John" way, shows you are just
the same as ever. I won't have him buried without your knowing something
more about him--if I can show you,' he added more gently.
'Please tell me,' said Rachel quietly. Her mind was still half as much
on David as on what he was going to say.
'There is nothing to tell that you should not have seen for yourself.
You were his wife and you lived with him. From the time you came to this
house one side of John's life ended. In a way he had no home and
no--wife. A man wants a companion.'
Rachel almost spoke, in startled contradiction. It was she who had been
uncompanioned.
'You were proud, I know, of never finding fault with John. Don't you
know that he would have been glad if you had openly found fault with
him? As it was, it seemed as if you thought him hopeless. When he said
things about the house or anything in it, he really wanted you to
contradict him and argue with him, and give him a way to come to the
same place where you were--don't you see?'
'Did he tell you?'
'No. But of course I used to sit round with him a good deal. And I had
always been used to understanding him,' he added, with a drop in his
voice. 'John had a lot of imagination,' he went on.
Rachel looked up in real surprise.
'I could see every year how the house was getting more on his nerves.
Sometimes when he was feeling it more than usual he would say little
things that I understood. For him it was like living with some one who
didn't want him round. But he might have liked it.'
'You don't understand,' said Rachel, as if pricked into coming to her
own defense. 'John didn't like the way the house came to us in the first
place. You didn't know--'
'Yes, I did,' he responded as she hesitated, 'I found out.'
'And yet,' she went on, 'we used the house and the money--'
'You haven't known much about the business for several years, have you?
Of course you do know that the house has been in your name from the
beginning, almost. But you don't know that the few thousands Richard
Hughes left have been invested for you ever since two years after he
died. It crippled John for a while after he took it out of the business.
But he always took good care of that money--it amounts to quite a little
now.'
Public-domain text, read in full here on John Shaqi.
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