Atlantic Narratives: Modern Short StoriesNesbit, E. (Edith)
General
Atlantic Narratives: Modern Short Stories
Nesbit, E. (Edith)
Short stories
The most interesting element in Mr. Ernest Starr's narrative is the
dramatic conflict of emotions. Placed first in the gnomish atmosphere of
a chemical laboratory, the tone soon changes from scientific to
ethical--each interest being intensified and directed by the deep
emotion of romantic love. A serious accident in the laboratory creates
the crisis; it reveals to Noakes, the young scientist, the inexcusable
baseness in his character--a baseness which allowed him to act with
direct disloyalty to his employer and with somewhat obvious disloyalty
to the ideals cherished by the girl whom he loved. The situation is
finally relieved by his confessions and by the physician's hope that the
young scientist's physical blindness is not necessarily permanent.
The author shows unusual skill in dialogue, in analysis, and in the
handling of both conventional and dramatic situations.
THE GARDEN OF MEMORIES
C. A. Mercer is an American author who has, unfortunately, been
altogether silent of late years.
In this story the traditions and influence of Hawthorne are
picturesquely revived. The experience is one which is a bit fragile and
tenuous, but to readers who reproduce in their fancy the more delicate
picturings of their childhood, who delight in the re-creation of mood,
who frequently re-live their childhood sentiments--to all such will come
a sense of pleasure in the contemplation of the tracery here so
artistically etched.
THE CLEAREST VOICE
Margaret Sherwood, a singularly sincere and graceful writer, is
Professor of English Literature at Wellesley College.
The clear voice which here speaks under Miss Sherwood's guidance is the
voice of the absent. And, individually, as we read the story, we listen
sympathetically to the separate messages of those voices which have
entered sympathetically into our past experiences and wisely guided or
wisely thwarted our separate deeds.
A Harvard graduate who had taken Professor Charles Eliot Norton's course
in fine arts was years afterward selecting a cravat pin in a jeweler's
shop in Paris. As he finally decided upon one of plain, simple, and
silently impressive design, he said, 'I think Professor Norton would
have chosen this.' In decisions minor and in decisions major, we are
almost invariably influenced by the unconscious thought of those whose
counsel we value. This significant truth Miss Sherwood has impressively
revealed in _The Clearest Voice_.
THE MARBLE CHILD
E. Nesbit (Mrs. Hubert Bland) is an English writer who for many years
has enjoyed widespread and deserved popularity as a writer of children's
books.
Public-domain text, read in full here on John Shaqi.
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