Atlantic Narratives: Modern Short StoriesNesbit, E. (Edith)
General
Atlantic Narratives: Modern Short Stories
Nesbit, E. (Edith)
Short stories
What joy the old woman took in this incident! With its fullness of
detail, it achieved a delicious suggestion of permanence, in contrast to
the illusiveness of other isolated moments. Margaret O'Brien _saw_ all
these other figures, but she really _was_ the child with the red coat.
In the long years between, she had fashioned many fine dresses--gowned
gay girls for their conquests and robed fair brides for the altar. Of
all these, nothing now remained; but she could feel the good stuff of
the red kersey under her little needle-scratched fingers, and see the
glow of its rich color against her wind-kissed brown cheek.
'To the life!' she exclaimed aloud, exultantly. 'To the very life!'
'What life, Aunt Margaret?' asked Anna, with gentle solicitude. 'Is it
afraid of the end you are, darling?'
'No, no, asthore. I've resigned myself long since, though 'twas bitter
knowledge at the outset. Well, well, God is good and we can't live
forever.'
Her eyes, opening to the two flaring patent gas-burners, winked as if
she had dwelt long in a milder light. 'What's all this glare about?' she
asked, playfully. 'I guess the chandler's wife is dead. Snuff out the
whole of them staring candles, let you. 'Tis daylight yet; just the time
o' day I always did like the best.'
Anna obeyed and sat down beside the bed in the soft spring dusk. A
little wind crept in under the floating white curtains, bringing with it
the sweetness of new grass and pear-blossoms from the trim yard. It
seemed an interval set apart from the hurrying hours of the busy day for
rest and thought and confidences--an open moment. The old woman must
have felt its invitation, for she turned her head and held out a shy
hand to her niece.
'Anna, my girl, you imagine 'tis the full o' the moon with me, I'm
thinking. But, no, never woman was more in her right mind than I. Do you
want I should be telling you what I've been hatching these many long
days and nights? 'Twill be a good laugh for you, I'll go bail.'
And, as best she could, she gave the trend of her imaginings.
Anna did not laugh, however. Instead--with the ever-ready sympathy and
comprehension of the Celt--she showed brimming eyes. ''Tis a thought
I've often myself, let me tell you,' she admitted. 'Of all the little
girls that were me, and now can be living no longer.'
'You've said it!' cried the old woman, delighted at her unexpected
responsiveness. 'Only with me, 'tis fair pit'yus. There's all those poor
dear lasses there's nobody but me left to remember, and soon there'll
not be even that. Sometimes they seem to be pleading just not to be
forgotten, so I have to be keeping them alive in my head. I'm
succeeding, too, and, if you'll believe me, 'tis them little whips seem
to be the real ones, and the live children here the shadders.' Her voice
choked with sudden tears. 'They're all the children ever I had. My
grief! that I'll have to be leaving them! They'll die now, for no man
lives who can remember them any more.'
Public-domain text, read in full here on John Shaqi.
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