Atlantis (Legendary place) -- Fiction; Fantasy fiction; French fiction -- 20th century -- Translations into English; Science fiction
"Come," she repeated. "Let's go. Gâo is over there, not far away. I
can feel it. I want to see Gâo again."
I made her sit down beside me in the shadow of a rock. I realized that
all strength had left her. The wave of pity that swept over me,
brought back my senses.
"Gâo is just over there, isn't it?" she asked.
Her gleaming eyes became imploring.
"Yes, dear little girl. Gâo is there. But for God's sake lie down. The
sun is fearful."
"Oh, Gâo, Gâo!" she repeated. "I know very well that I shall see Gâo
again."
She sat up. Her fiery little hands gripped mine.
"Listen. I must tell you so you can understand how I know I shall see
Gâo again."
"Tanit-Zerga, be quiet, my little girl, be quiet."
"No, I must tell you. A long time ago, on the bank of the river where
there is water, at Gâo, where my father was a prince, there was....
Well, one day, one feast day, there came from the interior of the
country an old magician, dressed in skins and feathers, with a mask
and a pointed head-dress, with castanets, and two serpents in a bag.
On the village square, where all our people formed in a circle, he
danced the _boussadilla_. I was in the first row, and because I had a
necklace of pink tourmaline, he quickly saw that I was the daughter of
a chief. So he spoke to me of the past, of the great Mandingue Empire
over which my grandfathers had ruled, of our enemies, the fierce
Kountas, of everything, and finally he said:
"'Have no fear, little girl.'
"Then he said again, 'Do not be afraid. Evil days may be in store for
you, but what does that matter? For one day you will see Gâo gleaming
on the horizon, no longer a servile Gâo reduced to the rank of a
little Negro town, but the splendid Gâo of other days, the great
capital of the country of the blacks, Gâo reborn, with its mosque of
seven towers and fourteen cupolas of turquoise, with its houses with
cool courts, its fountains, its watered gardens, all blooming with
great red and white flowers.... That will be for you the hour of
deliverance and of royalty.'"
Tanit-Zerga was standing up. All about us, on our heads, the sun
blazed on the _hamada_, burning it white.
Suddenly the child stretched out her arms. She gave a terrible cry.
"Gâo! There is Gâo!"
I looked at her.
"Gâo," she repeated. "Oh, I know it well! There are the trees and the
fountains, the cupolas and the towers, the palm trees, the great red
and white flowers. Gâo...."
Indeed, along the shimmering horizon rose a fantastic city with mighty
buildings that towered, tier on tier, until they formed a rainbow.
Wide-eyed, we stood and watched the terrible mirage quiver feverishly
before us.
"Gâo!" I cried. "Gâo!"
And almost immediately I uttered another cry, of sorrow and of horror.
Tanit-Zerga's little hand relaxed in mine. I had just time to catch
the child in my arms and hear her murmur as in a whisper:
"And then that will be the day of deliverance. The day of deliverance
and of royalty."
Public-domain text, read in full here on John Shaqi.
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