Atlantis (Legendary place) -- Fiction; Fantasy fiction; French fiction -- 20th century -- Translations into English; Science fiction
At first, the darkness allowed me to form no idea of its proportions.
The lighting, purposely subdued, consisted of twelve enormous copper
lamps, placed column-like upon the ground and burning with brilliant
red flames. As we entered, the wind from the corridor made the flames
flicker, momentarily casting about us our own enlarged and misshapen
shadows. Then the gust died down, and the flames, no longer flurried,
again licked up the darkness with their motionless red tongues.
These twelve giant lamps (each one about ten feet high) were arranged
in a kind of crown, the diameter of which must have been about fifty
feet. In the center of this circle was a dark mass, all streaked with
trembling red reflections. When I drew nearer, I saw it was a bubbling
fountain. It was the freshness of this water which had maintained the
temperature of which I have spoken.
Huge seats were cut in the central rock from which gushed the
murmuring, shadowy fountain. They were heaped with silky cushions.
Twelve incense burners, within the circle of red lamps, formed a
second crown, half as large in diameter. Their smoke mounted toward
the vault, invisible in the darkness, but their perfume, combined with
the coolness and sound of the water, banished from the soul all other
desire than to remain there forever.
M. Le Mesge made us sit down in the center of the hall, on the
Cyclopean seats. He seated himself between us.
"In a few minutes," he said, "your eyes will grow accustomed to the
obscurity."
I noticed that he spoke in a hushed voice, as if he were in church.
Little by little, our eyes did indeed grow used to the red light. Only
the lower part of the great hall was illuminated. The whole vault was
drowned in shadow and its height was impossible to estimate. Vaguely,
I could perceive overhead a great smooth gold chandelier, flecked,
like everything else, with sombre red reflections. But there was no
means of judging the length of the chain by which it hung from the
dark ceiling.
The marble of the pavement was of so high a polish, that the great
torches were reflected even there.
This room, I repeat, was round a perfect circle of which the fountain
at our backs was the center.
We sat facing the curving walls. Before long, we began to be able to
see them. They were of peculiar construction, divided into a series
of niches, broken, ahead of us, by the door which had just opened to
give us passage, behind us, by a second door, a still darker hole
which I divined in the darkness when I turned around. From one door to
the other, I counted sixty niches, making, in all, one hundred and
twenty. Each was about ten feet high. Each contained a kind of case,
larger above than below, closed only at the lower end. In all these
cases, except two just opposite me, I thought I could discern a
brilliant shape, a human shape certainly, something like a statue of
very pale bronze. In the arc of the circle before me, I counted
clearly thirty of these strange statues.
Public-domain text, read in full here on John Shaqi.
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