In a corner of the dining-room, in the halls and on the stairway
landings, were reproductions of Ritter's works. Willy extolled them to
the skies; Frederick honestly admired them. The large bas-relief in the
corner of the dining-room represented a group of singing boys, for which
Ritter, probably at the suggestion of his customer, a Vanderbilt or an
Astor, had used the famous relief of Luca della Robbia as a model. In
style, nobility and freshness, his work surpassed anything then being
done in Germany.
Another sculptor partaking of the benefits of the club-house was a friend
of Ritter, who helped him with his work. Like Ritter, Lobkowitz was a
native Austrian. The fourth member of the group was Franck, a painter
from Silesia, an impecunious eccentric, upon whose talents his comrades
placed an extremely high estimate. It was Willy Snyders the kind-hearted
who, soon after a chance meeting with his fellow-Silesian, dragged him
from his wretched quarters, not without much coaxing, and transferred him
to the club-house.
"Wait and see the way that lunatic Franck is going to behave," said Willy
in his peculiar voice, in which there was a blending of the guttural and
nasal tones of American English with the Austrian German accent of his
friends. "He snaps like a mad dog. He's enough to make you split your
sides laughing--that is, if the perverse creature comes at all and
doesn't have dinner served in his room."
As a matter of fact, Franck was the first to enter the dining-room.
Willy's tongue kept wagging, while the eccentric merely shook hands
limply with Frederick and said nothing. Though the three were countrymen,
Franck's appearance--like Willy, he was wearing evening dress--added a
touch of embarrassment where there had been perfect unconstraint; and
though Willy had lent Frederick a suit, and a tailor had already been
ordered, Frederick expressed regret at not being appropriately dressed.
"Yes, Ritter's a great stickler for form," Willy observed. "Every evening
we have to present the appearance of at least attaches to an embassy."
Petronilla entered and explained in wordy Italian that the poor, dear,
sweet little signorina had fallen asleep in bed and was breathing quietly
and regularly.
"You could shoot off a cannon, bum! bum! Outside her window, and she
wouldn't wake up," she said. Then holding out a newspaper, she asked
whether the gentlemen had heard of the sinking of the _Roland_ and the
few survivors. When Willy, with his dilating nostrils and his
characteristic half-serious, half-comic expression, introduced Frederick
as one of those survivors, she burst into a noisy laugh, which vastly
amused two of the three Silesians. When convinced that Willy was not
teasing, she stared at Frederick speechlessly, burst into tears, and
kissed his hands. Then she ran out.
Soon after, Lobkowitz entered, a tall, quiet man. He had heard of
Frederick's recent experience, and greeted him with simple cordiality.
Public-domain text, read in full here on John Shaqi.
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