Atlantis: The Antedeluvian WorldDonnelly, Ignatius
History
Atlantis: The Antedeluvian World
Donnelly, Ignatius
Atlantis (Legendary place); Deluge; Ethnology
Among the Mandan Indians we not only find flood legends, but, more
remarkable still, we find an image of the ark preserved from generation
to generation, and a religious ceremony performed which refers plainly
to the destruction of Atlantis, and to the arrival of one of those who
escaped from the Flood, bringing the dreadful tidings of the disaster.
It must be remembered, as we will show hereafter, that many of these
Mandan Indians were white men, with hazel, gray, and blue eyes, and all
shades of color of the hair from black to pure white; that they dwelt in
houses in fortified towns, and manufactured earthen-ware pots in which
they could boil water--an art unknown to the ordinary Indians, who
boiled water by putting heated stones into it.
I quote the very interesting account of George Catlin, who visited the
Mandans nearly fifty years ago, lately republished in London in the
"North American Indians," a very curious and valuable work. He says
(vol. i., p. 88):
"In the centre of the village is an open space, or public square, 150
feet in diameter and circular in form, which is used for all public
games and festivals, shows and exhibitions. The lodges around this open
space front in, with their doors toward the centre; and in the middle
of this stands an object of great religious veneration, on account of
the importance it has in connection with the annual religious
ceremonies. This object is in the form of a large hogshead, some eight
or ten feet high, made of planks and hoops, containing within it some of
their choicest mysteries or medicines. They call it the 'Big Canoe.'"
This is a representation of the ark; the ancient Jews venerated a
similar image, and some of the ancient Greek States followed in
processions a model of the ark of Deucalion. But it is indeed surprising
to find this practice perpetuated, even to our own times, by a race of
Indians in the heart of America. On page 158 of the first volume of the
same work Catlin describes the great annual mysteries and religious
ceremonials of which this image of the ark was the centre. He says:
"On the day set apart for the commencement of the ceremonies a solitary
figure is seen approaching the village.
"During the deafening din and confusion within the pickets of the
village the figure discovered on the prairie continued to approach with
a dignified step, and in a right line toward the village; all eyes were
upon him, and he at length made his appearance within the pickets, and
proceeded toward the centre of the village, where all the chiefs and
braves stood ready to receive him, which they did in a cordial manner by
shaking hands, recognizing him as an old acquaintance, and pronouncing
his name, Nu-mohk-muck-a-nah (the first or only man). The body of this
strange personage, which was chiefly naked, was painted with white clay,
so as to resemble at a distance a white man. He enters the medicine
lodge, and goes through certain mysterious ceremonies.
Public-domain text, read in full here on John Shaqi.
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