Attila and His Conquerors: A Story of the Days of St. Patrick and St. Leo the GreatCharles, Elizabeth Rundle
History
Attila and His Conquerors: A Story of the Days of St. Patrick and St. Leo the Great
Charles, Elizabeth Rundle
Attila, -453 -- Fiction; Christian fiction; Rome -- History -- Empire, 284-476 -- Fiction
“He has a royal contempt for mere tinsel and glitter. While his courtiers
prank themselves in the borrowed splendours of the vanquished, he still
wears his old Scythian skins and tanned leather. While they emulate the
banquets of the Imperial court, he lives on the simplest, roughest food.
It is said he never eats bread, but only meat, and that often half raw.”
“An independence of cookery which scarcely disproves his likeness to the
beasts,” interposed Fabricius, with a grave smile; to which Marius made
no retort.
“I saw Attila among his sons,” he said, “at a banquet, accompanied by
wild music, with panegyrics on him and his victorious warriors and
chiefs, no doubt as harmonious and satisfactory to the Huns as the
strains of Greece or the rhetoric of our Sidonius Apollinaris to our
Emperor. But Attila did not seem to heed them. All the time his heart
and thoughts seemed set on a young lad, his youngest son, as he kept
caressing his curly hair with his hand, and jesting with the child who
will, he hopes, succeed him.
“And then came the strange, grotesque pomp of his enthronement in the
Imperial palace at Milan, the palace from which Constantine issued the
edict proclaiming Christianity the religion of the Empire, and where the
great Theodosius listened to Ambrose.
“There is a painting on the palace walls which greatly offended Attila,
representing the Scythian (or some barbarian) chieftains crouching in
homage (and some of them stretched vanquished and slain) before the two
golden thrones of the two Emperors of the East and West. As an expiation
he commanded a Roman or Greek artist, not to paint this picture out,
but, leaving it to satirize to itself, to paint opposite to it another
picture representing the two Emperors of East and West, laden with sacks
full of the gold coin of the tribute to the Huns, humbly emptying them
at the feet of Attila. Happily for me, my mother, I have not the genius
of thy forefathers, and could not paint; otherwise a difficult dilemma
might have been set before me. But all the time I was in the camp of the
Huns, and at the court of Attila, I could not but observe an uneasiness
and uncertainty and vague dread ever growing and gathering over the
rude warriors, and even over Attila himself. They seemed satiated with
slaughter, and in some dim way under a spell, afraid of losing their
plunder, afraid of the avenging power of the civilization they were
ruining, afraid of the ancient names of Italy and Rome, haunted by the
fate of Alaric, our Rome’s last conqueror. Not a few of the bravest even
ventured to suggest that the host should return beyond the Danube to
enjoy their spoils and employ the captives they had already won.
Public-domain text, read in full here on John Shaqi.
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