Attila and His Conquerors: A Story of the Days of St. Patrick and St. Leo the GreatCharles, Elizabeth Rundle
History
Attila and His Conquerors: A Story of the Days of St. Patrick and St. Leo the Great
Charles, Elizabeth Rundle
Attila, -453 -- Fiction; Christian fiction; Rome -- History -- Empire, 284-476 -- Fiction
Even in our little group among the Sabine hills, how many races,
periods, types were thrown together! In Fabricius, not a lifeless
fossil, but a living survival of the grand old Rome of law and order and
self-sacrificing patriotism, the traces of which had made it possible
for the corrupt new Rome to linger on so long. In Damaris, not the
painted artificial Hellenism of her present surroundings, but a genuine
afterglow of the noble, simple beauty of early Greece, beauty as natural
and inevitable as the beauty of the lines and curves of flowers and
waves. In Miriam, the fervent, adoring, exulting, thirsting love for the
God of the fathers of the old Hebrew Psalmists; the boundless, helpful
pity for men of the old Hebrew prophets. In Eleazar, the old exclusive,
passionate patriotism of his people, which in the isolation of exile had
so long only seemed to survive in that passion for possession which the
old prophets had so continually detected and so unsparingly denounced;
and now that this icy spell was broken, the old passion of patriotism
had revived in the passionate love of the family, always recognized by
the Law and the Prophets as the sacred core of national life, the sacred
shrine of what was most heart-stirring in the national Ritual. In the
Greek hermit of the cave, a survival of the early Greek Church of the
Roman catacombs; and also an outpost of the great army of monks and
solitaries, which was to conquer the wildernesses, material and moral,
of Western Christendom. In Marius, sunset melting into dawn through his
Ethne; his weariness of the faded classicism of an imitative culture, and
the unreality of subtle debates about a faith which had no bearing on
practice, vanishing in the freshness of her new heavenly life; all that
was true and beautiful in the fading old world living anew for him in the
morning dew of her new day.
Soon after the Vandals had sailed off for Africa, Fabricius and Marius
went again to Rome to look after the desolated palace on the Aventine.
The walls were still there, but little else.
The Vandals, said to be the greatest experts at plunder among the
barbarians, had done their work effectually. Traces of barbaric feasts
were strewn about the deserted rooms; fragments of familiar household
treasures, cherished from childhood, were scattered over the broken
mosaic pavements as mere refuse of useless and abandoned plunder; the
frescoed walls were stained and scarred. In the gardens the thickets
of roses were trampled and crushed, the trellised vines torn down and
broken. There was a sense of outrage and desecration over all, which for
the time made the dear familiar things and places terrible and weird and
ghastly. They had to say to themselves again and again—“These trampled
flowers, and prostrate vines, and despoiled halls and chambers do not
_feel_ their dishonour. And ere long for us also the vulgar associations
scrawled over them will be obliterated, and the earlier characters will
reappear.”
Public-domain text, read in full here on John Shaqi.
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