Aubrey Beardsley : $b the clown, the harlequin, the pierrot of his ageMacfall, Haldane
General
Aubrey Beardsley : $b the clown, the harlequin, the pierrot of his age
Macfall, Haldane
Beardsley, Aubrey, 1872-1898; Illustration of books -- Great Britain -- 19th century
There is something pathetic in this eager search for a book to
illustrate at a moment when Beardsley has achieved the færy of one
design in particular of the several good designs in the _Pierrot of
the Minute_, that “_cul-de-lampe_” in which Pierrot, his jesting
done, is leaving the garden, the beauty and hauntingness of the thing
wondrously enhanced by the dotted tracery of its enclosing framework--a
tragic comment on the wonderful _Headpiece_ when Pierrot holds up the
hour-glass with its sands near run out. It is a sigh, close on a sob,
blown across a sheet of white paper as by magic rather than the work of
human hands.
It was in this November that there appeared the futile essay on
Beardsley by Margaret Armour which left Beardsley cold except for the
appearance of his own _Outline Profile Portrait of himself in line_,
“an atrocious portrait of me,” which he seems to have detested for some
reason difficult to plumb--it is neither good nor bad, and certainly
not worse than one or two things that he passed with approval at this
time for the _Book of Fifty Drawings_. It is a pathetically tragic
thought that the November of the exquisite _Pierrot of the Minute_ was
for Beardsley a month of terrible suffering. He had not left his room
for six weeks. Yet, for all his sad state, he fervently clings to the
belief that change will rid him of that gaunt spectre that flits about
the shadows of his room. “I still continue in a very doubtful state,
a sort of helpless, hopeless condition, as nobody really seems to know
what is the matter with me. I fancy it is only change I want, & that
my troubles are principally nervous.... It is nearly six weeks now
since I have left my room. I am busy with drawing & should like to be
with writing, but cannot manage both in my weak state.” He complains
bitterly of the wretched weather. “I have fallen into a depressed
state,” and “Boscombe is ignominiously dull.”
It was now that Beardsley himself saw, for the first time, the
published prints for the cover and the title-page of _Evelina_--of his
“own early designing.”
The _Savoy_ for December gives us some clue to the busy work upon
drawings in November of which he speaks, but some of the drawings that
now appeared were probably done somewhat before this time.
Public-domain text, read in full here on John Shaqi.
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