Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
The garden continued to be the enchanted garden. To gather its flowers,
red and white, to pace with him cool paved walks between walls of
scented box, to sit beside him beneath the cherry-tree or upon the
grassy terrace, looking out upon the wide, idle river,--it was dreamy
bliss, a happiness too rare to last. There was no harm; not that she
ever dreamed there could be. The house overlooked garden and terrace;
the slaves passed and repassed the open windows; Juba came and went;
now and then Mistress Deborah herself would sally forth to receive
instructions concerning this or that from the master of the house. And
every day, at noon, the slaves drew to all the shutters save those of
the master’s room, and the minister’s wife and ward made their curtsies
and went home. The latter, like a child, counted the hours upon the
clock until the next morning; but then she was not used to happiness,
and the wine of it made her slightly drunken.
The master of Fair View told himself that there was infection in this
lotus air of Virginia. A fever ran in his veins that made him languid
of will, somewhat sluggish of thought, willing to spend one day like
another, and all in a long dream. Sometimes, in the afternoons, when
he was alone in the garden or upon the terrace, with the house blank
and silent behind him, the slaves gone to the quarters, he tossed aside
his book, and, with his chin upon his hand and his eyes upon the sweep
of the river, first asked himself whither he was going, and then,
finding no satisfactory answer, fell to brooding. Once, going into the
house, he chanced to come upon his full-length reflection in a mirror
newly hung, and stopped short to gaze upon himself. The parlor of his
lodgings at Williamsburgh and the last time that he had seen Evelyn
came to him, conjured up by the memory of certain words of his own.
“A truer glass might show a shrunken figure,” he repeated, and with a
quick and impatient sigh he looked at the image in the mirror.
To the eye, at least, the figure was not shrunken. It was that of a man
still young, and of a handsome face and much distinction of bearing.
The dress was perfect in its quiet elegance; the air of the man
composed,--a trifle sad, a trifle mocking. Haward snapped his fingers
at the reflection. “The portrait of a gentleman,” he said, and passed
on.
That night, in his own room, he took from an escritoire a picture of
Evelyn Byrd, done in miniature after a painting by a pupil of Kneller,
and, carrying it over to the light of the myrtle candles upon the
table, sat down and fell to studying it. After a while he let it drop
from his hand, and leaned back in his chair, thinking.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account