Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
She freed her hand, and stood with heaving bosom and eyes that very
slowly filled with tears. Haward saw no reason for her tears. It
was true that she was young and fair; true, also, that she had few
pleasures. Well, he would change all that. The dance,--was it not woven
by those nymphs of old, those sprites of open spaces in the deep woods,
from whose immemorial company she must have strayed into this present
time? Now at the Palace the candles were burning for her, for her the
music was playing. Her welcome there amidst the tinsel people? Trust
him for that: he was what he was, and could compass greater things than
that would be. Go she should, because it pleased him to please her,
and because it was certainly necessary for him to oppose pride with
pride, and before the eyes of Evelyn demonstrate his indifference to
that lady’s choice of Mr. Lee for the minuet and Mr. Lightfoot for the
country dance. This last thought had far to travel from some unused,
deep-down quagmire of the heart, but it came. For the rest, the image
of Audrey decked in silk and lace, turned by her apparel into a dark
Court lady, a damsel in waiting to Queen Titania, caught his fancy in
both hands. He wished to see her thus,--wished it so strongly that he
knew it would come to pass. He was a gentleman who had acquired the
habit of having his own way. There had been times when the price of his
way had seemed too dear; when he had shrugged his shoulders and ceased
to desire what he would not buy. To-night he was not able to count
the cost. But he knew--he knew cruelly well--how to cut short this
fruitless protest of a young girl who thought him all that was wise and
great and good.
“So you cannot say ‘yes’ to my asking, little maid?” he began, quiet
and smiling. “Cannot trust me that I have reasons for the asking? Well,
I will not ask again, Audrey, since it is so great a thing’”--“Oh,”
cried Audrey, “you know that I would die for you!” The tears welled
over, but she brushed them away with a trembling hand; then stood with
raised face, her eyes soft and dewy, a strange smile upon her lips.
She spoke at last as simply as a child: “Why you want me, that am only
Audrey, to go with you to the Palace yonder, I cannot tell. But I will
go, though I am only Audrey, and I have no other dress than this”--
Haward got unsteadily to his feet, and lightly touched the dark head
that she bowed upon her hands. “Why, now you are Audrey again,” he said
approvingly. “Why, child, I would do you a pleasure!” He turned to
the player’s wife. “She must not go in this guise. Have you no finery
stowed away?”
Public-domain text, read in full here on John Shaqi.
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