Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
The gaunt figure in the pulpit trembled like a leaf with the passion
of the preacher’s convictions and the energy of his utterance. On
had gone the stream of rhetoric, the denunciations, the satire, the
tremendous assertions of God’s mind and purposes. The lash that was
wielded was far-reaching; all the vices of the age--irreligion,
blasphemy, drunkenness, extravagance, vainglory, loose living--fell
under its sting. The condemnation was general, and each man looked to
see his neighbor wince. The occurrence at the ball last night,--he was
on that for final theme, was he? There was a slight movement throughout
the congregation. Some glanced to where would have sat Mr. Marmaduke
Haward, had not the gentleman been at present in his bed, raving now
of a great run of luck at the Cocoa Tree; now of an Indian who, with
his knee upon his breast, was throttling him to death. Others looked
over their shoulders to see if that gypsy yet sat beneath the gallery.
Colonel Byrd took out his snuffbox and studied the picture on the lid,
while his daughter sat like a carven lady, with a slight smile upon her
lips.
On went the word picture that showed how vice could flaunt it in so
fallen an age. The preacher spared not plain words, squarely turned
himself toward the gallery, pointed out with voice and hand the object
of his censure and of God’s wrath. Had the law pilloried the girl
before them all, it had been but little worse for her. She sat like a
statue, staring with wide eyes at the window above the altar. This,
then, was what the words in the coach last night had meant--this was
what the princess thought--this was what his world thought--
There arose a commotion in the ranks of the clergy of Virginia. The
Reverend Gideon Darden, quitting with an oath the company of his
brethren, came down the aisle, and, pushing past his wife, took his
stand in the pew beside the orphan who had lived beneath his roof, whom
during many years he had cursed upon occasion and sometimes struck, and
whom he had latterly made his tool, “Never mind him, Audrey, my girl,”
he said, and put an unsteady hand upon her shoulder. “You’re a good
child; they cannot harm ye.”
Public-domain text, read in full here on John Shaqi.
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