Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
Within the theatre a rehearsal of “Tamerlane” was in progress. Turk and
Tartar spoke their minds, and Arpasia’s death cry clave the air. The
victorious Emperor passed final sentence upon Bajazet; then, chancing
to glance toward the wide door, suddenly abdicated his throne, and
in the character of Mr. Charles Stagg blew a kiss to his wife, who,
applauding softly, stood in the opening that was framed by the red vine.
“Have you done, my dear?” she cried. “Then pray come with me a moment!”
The two crossed the garden, and entered the grape arbor where in
September Mistress Stagg had entertained her old friend, my Lady
Squander’s sometime waiting-maid. Now the vines were bare of leaves,
and the sunshine streaming through lay in a flood upon the earth. Mary
Stagg’s chair was set in that golden warmth, and upon the ground beside
it had fallen some bright sewing. The silken stuff touched a coarser
cloth, and that was the skirt of Darden’s Audrey, who sat upon the
ground asleep, with her arm across the chair, and her head upon her arm.
“How came she here?” demanded Mr. Stagg at last, when he had given a
tragedy start, folded his arms, and bent his brows.
“She ran away,” answered Mistress Stagg, in a low voice, drawing her
spouse to a little distance from the sleeping figure. “She ran away
from the glebe house and went up the river, wanting--the Lord knows
why!--to reach the mountains. Something happened to bring her to her
senses, and she turned back, and falling in with that trader, Jean
Hugon, he brought her to Jamestown in his canoe. She walked from there
to the glebe house,--that was yesterday. The minister was away, and
Deborah, being in one of her passions, would not let her in. She’s that
hard, is Deborah, when she’s angry, harder than the nether millstone!
The girl lay in the woods last night. I vow I’ll never speak again
to Deborah, not though there were twenty Baths behind us!” Mistress
Stagg’s voice began to tremble. “I was sitting sewing in that chair,
now listening to your voices in the theatre, and now harking back in my
mind to old days when we weren’t prosperous like we are now.... And at
last I got to thinking of the babe, Charles, and how, if she had lived
and grown up, I might ha’ sat there sewing a pretty gown for my own
child, and how happy I would have made her. I tried to see her standing
beside me, laughing, pretty as a rose, waiting for me to take the last
stitch. It got so real that I raised my head to tell my dead child how
I was going to knot her ribbons, ... and there was this girl looking at
me!”
“What, Millamant! a tear, my soul?” cried the theatric Mr. Stagg.
Public-domain text, read in full here on John Shaqi.
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