Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
“She might offset that pretty jade Fenton at the Fields, eh, Bob?” said
Cibber. “They’re of an age. If the town took to her”--
“If her Belvidera made one pretty fellow weep, why not another?” added
Wilks. “Here--where is’t he says that, when she went out, for many
moments the pit was silent as the grave--and that then the applause was
deep--not shrill--and very long? ’Gad, if ’tis a Barry come again, and
we could lay hands on her, the house would be made!”
Gibber sighed. “You’re dreaming, Bob,” he said good-humoredly. “’Twas
but a pack of Virginia planters, noisy over some _belle sauvage_ with a
ranting tongue.”
“Men’s passions are the same, I take it, in Virginia as in London,”
answered the other. “If the _belle sauvage_ can move to that manner of
applause in one spot of earth, she may do so in another. And here again
he says, ‘A dark beauty, with a strange, alluring air ... a voice of
melting sweetness that yet can so express anguish and fear that the
blood turns cold and the heart is wrung to hear it’--Zoons, sir! What
would it cost to buy off this fellow Stagg, and to bring the phoenix
overseas?”
“Something more than a lottery ticket,” laughed the other, and
beckoned to the drawer. “We’ll wait, Bob, until we’re sure ’tis a
phoenix indeed! There’s a gentleman in Virginia with whom I’ve some
acquaintance, Colonel William Byrd, that was the colony’s agent here.
I’ll write to him for a true account. There’s time enough.”
So thought honest Cibber, and wrote at leisure to his Virginia
acquaintance. It made small difference whether he wrote or refrained
from writing, for he had naught to do with the destinies of Darden’s
Audrey. ’Twas almost summer before there came an answer to his letter.
He showed it to Wilks in the greenroom, between the acts of “The
Provoked Husband.” Mrs. Oldfield read it over their shoulders, and
vowed that ’twas a moving story; nay, more, in her next scene there was
a moisture in Lady Townly’s eyes quite out of keeping with the vivacity
of her lines.
Public-domain text, read in full here on John Shaqi.
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