Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
“You are a noble lady,” he answered. “Once, long ago, I styled myself
your friend, your equal. Now I know better my place and yours, and as
from a princess I take your alms. For your letter--that letter, Evelyn,
which told me what you thought, which showed me what to do--I humbly
thank you.”
She let fall her hand from her silken lap, and watched with unseeing
eyes the mimicry of life upon the stage before them, where Selima knelt
to Tamerlane, and Moneses mourned for Arpasia. Presently she said
again, “I am glad;” and then, when they had kept silence for a while,
“You will live at Fair View?”
“Ay,” he replied. “I will make it well for her here in Virginia.”
“You must let me help you,” she said. “So old a friend as I may claim
that as a right. To-morrow I may visit her, may I not? Now we must look
at the players. When she enters there is no need to cry for silence. It
comes of itself, and stays; we watch her with straining eyes. Who is
that man in a cloak, staring at us from the pit? See, with the great
peruke and the scar!”
Haward, bending, looked over the rail, then drew back with a smile.
“A half-breed trader,” he said, “by name Jean Hugon. Something of a
character.”
“He looked strangely at us,” said Evelyn, “with how haggard a face! My
scarf, Mr. Lee? Thank you. Madam, have you the right of the matter from
Kitty Page?”
The conversation became general, and soon, the act approaching its
end, and other gentlemen pressing into the box which held so beautiful
a woman, so great a catch, and so assured a belle as Mistress Evelyn
Byrd, Haward arose and took his leave. To others of the brilliant
company assembled in the playhouse he paid his respects, speaking
deferentially to the Governor, gayly to his fellow Councilors and
planters, and bowing low to many ladies. All this was in the interval
between the acts. At the second parting of the curtain he resumed his
former station in the pit. With intention he had chosen a section of it
where were few of his own class. From the midst of the ruder sort he
could watch her more freely, could exult at his ease in her beauty both
of face and mind.
The curtains parted, and the fiddlers strove for warlike music.
Tamerlane, surrounded by the Tartar host, received his prisoners, and
the defiant rant of Bajazet shook the rafters. All the sound and fury
of the stage could not drown the noise of the audience. Idle talk and
laughter, loud comment upon the players, went on,--went on until there
entered Darden’s Audrey, dressed in red silk, with a jeweled circlet
like a line of flame about her dark flowing hair. The noise sank,
voices of men and women died away; for a moment the rustle of silk, the
flutter of fans, continued, then this also ceased.
Public-domain text, read in full here on John Shaqi.
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