Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
Involuntarily the trader pushed toward her, past the man whom he meant
to stab to the heart. The action, dragging his cloak aside, showed the
half-raised arm and the gleaming steel. For many minutes the knife had
been ready. The play was nearly over, and she must see this man who
had stolen her heart, this Haward of Fair View, die. Else Jean Hugon’s
vengeance were not complete. For his own safety the maddened half-breed
had ceased to care. No warning cried from the stage could have done
aught but precipitate the deed, but now for the moment, amazed and
doubtful, he turned his back upon his prey.
In that moment the Audrey of the woods, a creature lithe and agile and
strong of wrist as of will, had thrown herself upon him, clutching the
hand that held the knife. He strove to dash her from him, but in vain;
the house was in an uproar; and now Haward’s hands were at his throat,
Haward’s voice was crying to that fair devil, that Audrey for whom he
had built his house, who was balking him of revenge, whose body was
between him and his enemy! Suddenly he was all savage; as upon a night
in Fair View house he had cast off the trammels of his white blood, so
now. An access of furious strength came to him; he shook himself free;
the knife gleamed in the air, descended.... He drew it from the bosom
into which he had plunged it, and as Haward caught her in his arms, who
would else have sunk to the floor, the half-breed burst through the
horror-stricken throng, brandishing the red blade and loudly speaking
in the tongue of the Monacans. Like a whirlwind he was gone from the
house, and for a time none thought to follow him.
[Illustration: “JEAN! JEAN HUGON!”]
They bore her into the small white house, and up the stair to her own
room, and laid her upon the bed. Dr. Contesse came and went away, and
came again. There was a crowd in Palace Street before the theatre.
A man mounting the doorstep so that he might be heard of all, said
clearly, “She may live until dawn,--no longer.” Later, one came out of
the house and asked that there might be quiet. The crowd melted away,
but throughout the mild night, filled with the soft airs and thousand
odors of the spring, people stayed about the place, standing silent in
the street or sitting on the garden benches.
In the room upstairs lay Darden’s Audrey, with crossed hands and head
put slightly back. She lay still, upon the edge of death, nor seemed to
care that it was so. Her eyes were closed, and at intervals one sitting
at the bed head laid touch upon her pulse, or held before her lips a
slight ringlet of her hair. Mary Stagg sat by the window and wept, but
Haward, kneeling, hid his face in the covering of the bed. The form
upon it was not more still than he; Mistress Stagg, also, stifled her
sobs, for it seemed not a place for loud grief.
Public-domain text, read in full here on John Shaqi.
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