"Why, that you've sacrificed your poor brother to your desire to cut a moral figure; that you've been cultivating all sorts of extravagant virtues at my expense. I might have been playing the most heroic parts, and getting any amount of applause, if you hadn't selfishly bagged all the best ones for yourself. You've taken up the whole of the stage, so that I haven't had room even to exercise the minor virtues. Just reach me that sheaf of crayons, there's a good girl. Thanks." Ted put on a judical air, and chose a crayon. "Look there! you've taken the most uncomfortable chair and the worst light in the studio, when I might have been posing in them all the time. I haven't had half a chance. Vincent said so. No wonder he's disgusted with you. Ah! that's not so bad for a mere tyro. No, Kathy, he's quite right. You're an angel, and I've been a lazy scoundrel. But you'll admit that during my painful mental affliction I wasn't quite responsible. And afterwards--well, how was I to know? I thought we were getting on very nicely." "So we were, Ted--up till now." Her last words were so charged with feeling that Ted looked up surprised. But he said nothing, being a person of tact. The sitting that morning was not a long one. Hardy seemed tired and depressed. After posing patiently for half an hour, he gave it up. "It's no good this morning. I must go out and get a little warmth into me. You people had better come too." "It's such a horrid day," pleaded Katherine. "You'll get exceedingly wet, and come back no warmer. It's going to rain or snow, or something." As she spoke, the first drops of a cold sleet rattled on the skylight. But Vincent was obstinate and restless. "I must go, if it's only for a turn on the Embankment. What with my book and your picture, I haven't stretched my legs all week. Come along, Ted. You'll die, Kathy, if you persist in wallowing in oil-paint like that, and taking no exercise."