_September 5._ After breakfast, which was late but good, consisting of grapes, figs, sardines, and _French_ coffee, Swainson and I proceeded to Les Jardins des Plantes, by the side of the famous river Seine, which here, Lucy, is not so large as the Bayou Sara, where I have often watched the Alligators while bathing. Walking in Paris is disagreeable in the extreme; the streets are paved, but with scarcely a sidewalk, and a large gutter filled with dirty black water runs through the centre of each, and the people go about without any kind of order, in the centre, or near the houses; the carriages, carts, etc., do the same, and I have wondered that so few accidents take place. We saw a very ugly bridge of iron called the Pont Neuf, and the splendid statue of Henri Quatre. We were, however, more attracted by the sight of the immense numbers of birds offered for sale along the quays, and some were rare specimens. A woman took us into her house and showed us some hundreds from Bengal and Senegal, and I assure thee that we were surprised. We proceeded to our appointment with Baron Cuvier, who gave us tickets for the Musee, and promised all we could wish. At the Musee M. Valenciennes[161] was equally kind. Having a letter for M. Geoffroy de St. Hilaire,[162] we went to his house in the Jardins, and with him we were particularly pleased. He proved to me that he understood the difference in the ideas of the French and English perfectly. He repeated the words of Cuvier and assured us my work had not been heard of in France. He promised to take us to the Academie des Sciences on Monday next. I left Swainson at work in the Musee, and went to the Louvre. There, entering the first open door, I was shown into the public part of the King's _Appartement_, a thing I have never been able to accomplish in England. I saw the room where the grand councils are held, and many paintings illustrating the horrors of the French Revolution. Then to the galleries of painting and sculpture, where I found Parker, and saw a number of artists copying in oil the best pictures. This evening we went to the Theatre Francais, where I saw the finest drop curtain I have yet beheld, and a fine tragedy, Fiesque, which I enjoyed much.