Audubon and His Journals, Volume 1Audubon, John James
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Audubon and His Journals, Volume 1
Audubon, John James
Audubon, John James, 1785-1851 -- Diaries; Birds -- North America; Naturalists -- United States -- Diaries
_December 23._ After so long neglecting thee, my dear book, it would
be difficult to enter a connected account of my time, but I will trace
the prominent parts of the lapse. Painting every day, and I may well
add constantly, has been the main occupation. I have (what I call)
finished my two large pictures of the Eagle and the Lamb, and the Dog
and the Pheasants, and now, as usual, can scarce bear to look at
either. My friends the Swainsons have often been to see me, and good
Bentley came and lived with me for a month as a brother would. I
parted from him yesterday with pain and regret. Several artists have
called upon me, and have given me _false praises_, as I have heard
afterwards, and I hope they will keep aloof. It is charity to speak
the truth to a man who knows the poverty of his talents and wishes to
improve; it is villanous to mislead him, by praising him to his face,
and laughing at his work as they go down the stairs of his house. I
have, however, applied to one whom I _know_ to be candid, and who has
promised to see them, and to give his opinion with truth and
simplicity; this is no other, my Lucy, than the president of the Royal
Academy, Sir Thomas Lawrence. The steady work and want of exercise has
reduced me almost to a skeleton; I have not allowed myself the time
even to go to the Zoological Gardens.
_December 26._ I dined yesterday (another Christmas day away from my
dear country) at a Mr. Goddard's; our company was formed of Americans,
principally sea-captains. During my absence Sir Thomas Lawrence came
to see my paintings, which were shown to him by Mr. Havell, who
reported as follows. On seeing the Eagle and Lamb he said, "That is a
fine picture." He examined it closely, and was shown that of the
Pheasants, which I call "_Sauve qui peut_." He approached it, looked
at it sideways, up and down, and put his face close to the canvas, had
it moved from one situation to two others in different lights, but
gave no opinion. The Otter came next, and he said that the "animal"
was very fine, and told Havell he would come again to see them in a
few days. I paid him my respects the next morning, and thought him
kinder than usual. He said he would certainly come to make a choice
for me of one to be exhibited at Somerset House, and would speak to
the Council about it.
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Public-domain text, read in full here on John Shaqi.
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