In the foregoing letters we have seen young Audubon sending seeds and live birds to his father and to Francois Rozier, and reptiles and dried plants to Charles d'Orbigny, and ordering for his own use the best drawing materials from France. While at New York he had the good fortune to become a friend and _protégé_ of the most distinguished naturalist of the metropolis, Dr. Samuel L. Mitchell,[148] eminent in many walks of life, and at that time a member of the United States Senate. Audubon prepared many birds and mammals for Dr. Mitchell's collections, and the friendship thus early formed proved of much service to him later. He was probably working for Dr. Mitchell when, as the story goes, some of his neighbors lodged a complaint with the municipal authorities on account of the strong odors that habitually issued from his workroom, and a constable was sent to investigate. Audubon remained in New York as late as August 22, 1807, for on that day he made a drawing of the "Sprig-tail Duck," but without doubt he had come to feel the incongruity of his position in a business to which his heart was a stranger. As an instance of his preoccupation at this time, he confesses to have once forwarded but forgot to seal a letter containing $8,000. If Benjamin Bakewell failed to make a business man out of Audubon, it was not from lack of kindness, and probably no one else would have been more successful. As it happened, Audubon did not leave his employer any too soon, for at the close of 1807 Benjamin Bakewell's exporting business was ruined by the Embargo Act, through which President Jefferson had hoped to bring Great Britain and France to terms by cutting off their American trade, and for a year or more his estate was in the hands of creditors for settlement. The naturalist has left a characteristic sketch of himself at this time: "I measured," said he, "five feet, ten and one half inches, was of fair mien, and quite a handsome figure; large, dark, and rather sunken eyes, light-colored eyebrows, aquiline nose and a fine set of teeth; hair, fine texture and luxuriant, divided and passing down behind each ear in luxuriant ringlets as far as the shoulders." The habit of wearing his hair long, thus early acquired and later favored by his wandering mode of life, appears to have lasted more than twenty years. CHAPTER XII EARLY DRAWINGS IN FRANCE AND AMERICA Child and man—His ideals, perseverance and progress—Study under David at Paris—David's pupils and studios—David at Nantes arouses the enthusiasm of its citizens—His part in the Revolution—His art and influence over Audubon—Audubon's drawings of French birds—Story of the Edward Harris collection—_The Birds of America_ in the bud—Audubon's originality, style, methods, and mastery of materials and technique—His problem and how he solved it—His artistic defects.