Audubon the Naturalist: A History of His Life and Time. Vol. 1 (of 2)Herrick, Francis Hobart
History
Audubon the Naturalist: A History of His Life and Time. Vol. 1 (of 2)
Herrick, Francis Hobart
Audubon, John James, 1785-1851
[Illustration: EARLY UNPUBLISHED DRAWINGS OF FRENCH BIRDS:
ABOVE, EUROPEAN CROW WITH HEAD OF ROOK, "LE CORBEAU OU
CORNEILLE NOIRE DE BUFFON, ENGLISH CROW, EN COMPAGNE AUTOUR
DE NANTES, GROLE, PETITE GROLE, NO. 155;" DETAIL, "BEC DE LA
FRAGONNE OU FREUX BUFTON—BEC OF THE JAIG DAW NO. 166;" BELOW,
WHITE WAGTAIL, "LA LAVANDIERE DE BUFFON. WAG-TAIL, WHATTER
WAG-TAIL, WHITE WHATTER WAG TAIL, COMMON DISH WASHER, THE 22
OF DÉCEMBER, 1805. NEAR NANTZ. NO. 65."
Published by courtesy of Mr Joseph Y. Jeanes.]
Audubon has said but little of this Paris experience, but he remarked:
"At the age of seventeen when I returned from France, whither I had
gone to receive the rudiments of my education, my drawings had assumed
a form. David had guided my hand in tracing objects of large size."[151]
An interesting sidelight is thrown upon this incident by the fact that,
not many years before, David had been warmly welcomed in the city of
Nantes, when it is not unlikely that the naturalist's father was one
of the throng of citizens who made his acquaintance. The occasion to
which I refer was so noteworthy in the annals of Audubon's paternal city
as to make a digression at this point of our narrative inevitable. In
March, 1790, Daniel de Kervegan, a wealthy merchant who was then serving
his second term as mayor, had aroused so much enthusiasm by his public
spirit and sterling character that the citizens had voted the sum of
300 livres, or about $60, for his portrait, to be executed in oils and
placed in one of their public buildings. The commission was offered to
David, who accepted it, and with such enthusiasm did he set to work,
that upon reaching Nantes he asked the privilege of paying his respects
to the Municipal Assembly, which was in session. Upon being admitted to
the Chamber, on the 24th of March, he expressed these sentiments:
If ever my art has brought me any gratification, or
any success, never before have I had better excuse for
boastfulness.
I have made it a duty to respond to the worthy invitations,
inspired by patriotism and gratitude, that hallow this most
timely and most astounding revolution.
It is your work, gentlemen, and the respect which you render
to the chief of your administration which speaks in praise
of your sentiments and virtues and which will transmit their
memory, along with your glory, to posterity.[152]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account